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    Darren Almond - Only Sound needs Echo and Dreads its Lack  
 

 

October 29 - December 24, 2005

Lal galerie Chantal Crousel a le plaisir de vous annoncer la premi?re exposition personnelle de Darren Almond en France. Le titre de l'exposition - emprunt? ˆ Joseph Brodsky - nous emm?ne d'embl?e au centre des pr?occupations qui guident Darren Almond dans ses travaux actuels : la recherche de soi, le d?passement de soi, loin des certitudes confortables. Les oeuvres r?unies ont tra”t ˆ des s?jours aux extr?mes du monde : l'Arctique, la Sib?rie, o? Darren Almond poursuit un projet de film compliqu? et passionnant.

 

 

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  Leçon Zéro  
 

September 10 - October 29, 2005

Chantal Crousel has great pleasure in inviting you to a double celebration :
-25 years of activity as a gallerist,
-the inauguration of her new space, located at 10, rue Charlot, 75003 Paris
(in the Marais, and close to the Picasso Museum).

The exhibition proposed for this occasion could not be an exhaustive one
with regard to the gallery's history. The choice of works has been based on
a whole generation of artists, who have been offered their first solo
exhibition in France by Chantal Crousel. (with the exception of Jean-Luc
Moulène).


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 FABRICE GYGI
 

January 29 - March 26, 2005

CAILLEBOTIS, PYLÔNES, TORAX, Y...

During a conversation about the choice of works he has presented in his recent exhibition at the MAMCO in Geneva, Fabrice Gygi explains how, whilst caught in a traffic jam on the motorway, he was amazed by the beauty of lorries -especially the well finished work of awnings and straps. Since then, he has drawn his inspiration from these elements to make the "Columns" in white tarpaulin (1993), and other sewn awning sculptures. From this point onwards, these materials have always been part of his sculptural vocabulary. The established interrelation of "skins": the human being's skin, the (chosen) skin-protection, the (imposed) skin-prison. When discovering Fabrice Gygi's pieces, the visitor is struck by the accurate choice of materials and the attention to detail. One gets strongly compelled to touch, to caress each element, the same way one is appealed by the touch of a nicely curved "carrosserie"", or a smooth skin, while realizing that these ambivalent objects express a sensitivity, a lucidity and a violence constantly wide-awake.


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  LAND MARKS
 
 

April 9 -June 18, 2005

JENNIFER ALLORA & GUILLERMO CALZADILLA
DARREN ALMOND
FIKRET ATAY
ALBERTO GARCIA-ALIX
THOMAS HIRSCHHORN
HASSAN KHAN
JEAN-LUC MOULÈNE
MOSHE NINIO
MELIK OHANIAN
ANRI SALA
YORGOS SAPOUNTZIS
SEAN SNYDER

FIKRET ATAY, Any Time Prime Time , 2004, video, dvd, 6 min 30 sec

This at first sight a confusing scene was shot during a traditional feast that takes places once a year in the region of Batman, Turkey, by the Iraqi border. It stages a well know popular tale, mimed by the local population. As in his preceding videos, the artist's primary strategy consists in encoding the reality, rather than in trying to reveal it in a straightforward transparent way. The combination of an intriguing backdrop - hills in the South-East of Anatolia -   and the nature of the action - a folkloric scene - are mysterious at first; but the contents of the tale become clear soon enough. As implied by the title of the video, Any Time Prime Time , neither the time nor space in which this scene is happening interferes on the spectacle.

+ Communiqué de presse / Press release