Born in 1974 in Tirana, Albania.
Lives & works in Berlin, Germany.

1998-2000
Le Fresnoy- National Studio of Contemporary Arts.
1996-1998
Ecole Nationale Supérieure des Arts Décoratifs (vidéo), Paris, France.
1992-1996
Académie Nationale des Arts (fine art- painting), Tirana, Albania.

2001
Biennale di Venezia (Young Artist Prize). Venice, Italy.

2000
Best Documentary Film Award. Filmest. Tirana, Albania.
Best Documentary Film Award. Williamsburg Brooklyn Film Festival. New York, U.S.A.

1999
Best Film Award. Estavar Video Festival. Estavar, France.
Best Documentary Film Award. International Documentaru Film Festival. Santiago de Compostela, Spain.
Silver Award. 33rd Annual New York EXPO-sition of a short film and video. New York, U.S.A.

1998
Best Documentary Film Award. Entrevues Festival. Belfort, France.
Best Short Film Award. Amascultura Festival. Lisbonne, Portugal.

2012
Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France

2011
Serpentine Gallery, London, U.K.
1395 Days Without Red, avec Šejla Kamerić et Ari Benjamin Meyers, Artangel, London, U.K.
Galerie Chantal Crousel, Paris, France
Kurimanzutto gallery, Mexico
Musée d'Art Contemporain de Montréal, Québec, Canada

2010
Background/Foreground with Edi Rama. About Change Collection, Berlin, Germany.

2009
Anri Sala: Purchase Not By Moonlight, Marian Goodman gallery, New York, U.S.A.
Answer Me, Johnen Galerie, Berlin, Germany.

2008
Anri Sala: Purchase Not By Moonlight, Museum of Contemporary Art North Miami, Miami FL (travels to: CAC Contemporary Arts Center, Cincinnati OH), U.S.A.
Anri Sala, Galerie Chantal Crousel, Paris, France.
Kabinett für Aktuelle Kunst, Bremerhaven, Germany.
La Mano di Dio, Alfonsa Artiaco, Naples, Italy.
Overthinking, Galerie Rüdiger Schöttle, Munich/DE, Germany.
Hand of God, CCA Kytakyushu, Japan.
Long Sorrow, De Pont museum of contemporary art, Tilburg, Netherlands.

2007
Anri Sala, The Box, Wexner Center for the Arts, Colombus, U.S.A.
A Second Look, Hauser & Wirth, London, U.K.
Marian Goodman Gallery, New York, U.S.A. 
Thinking Architecture #1, Extracity, Antwerpen, Belgium

2006
Galerie Chantal Crousel, Paris, France.
Galerie Rüdiger Schöttle, Germany.

2005
Artist in focus, International Film Festival Rotterdam, Museum Boijmans van Beuningen, Netherlands. Dammi I Colori, Daadgalerie, Berlin, Germany.
Long Sorrow, Fondazione Nicola Trussardi, Milan, Italy.
Centre for Contemporary Art Ujazdowski Castle, Warsaw, Pologne (cur. By Milada Slizinska)
Anri Sala: Dammi i colori , The Rose Art Museum of Brandeis University, The Mildred S. Lee Gallery, Waltham, Massachusetts, U.S.A.
Galeria EXIT, Pejë, Kosovo.
Focus, Now I see, The Art Institute of Chicago, U.S.A.
Intervista, Musée Dauphinois, Le Magasin, Grenoble, France.
Anri Sala Intervista, Yeans, Göteborg, Sweden.

2004
Alfonso Artiaco, Naples, Italy.
Marian Goodman Gallery, New York, U.S.A.
Hauser & Wirth, London, U.K.
Entre chien et loup/When the Night Calls it a Day, ARC Musée d’Art Moderne, Paris/ (travels to: Deichtorhallen Hamburg, Wo sich Fuchs und Hase gute Nacht sagen, Hamburg, Germany)
Now I see, The Art Institute of Chicago, Chicago IL, U.S.A.
Exit Contemporary Art Institute, Pejë/Kosovo.
Anri Sala Intervista, Yeans, Göteborg, Sweden.

2003
Galerie Johnen & Schöttle, Köln, Germany.
Kunsthalle Wien, Vienna, Austria.
All gone, Residence-Project, CCA Kitakyushu, Japan.

2002
OPA (artiste run space), Guadalajara, Mexico.
Ikon Gallery, Birmingham, U.K.
Jean-Luc Moulène et Anri Sala, XXVe Biennale d’art contemporain, Sao Paulo, Brazil.
Amplified Absorbers, Galerie Hauser & Wirth, Zürich, Switzerland.
Naturalmystic (tomahawk #2), Galerie Rüdiger Schöttle, Münich, Germany.
Missing Landscape and Promises, Trans-area, New York, U.S.A.
Concentrations, Dallas Museum of Art, Dallas TX, U.S.A.

2001
It Has Been Raining Here, Galerie Chantal Crousel, Paris, France.
Anri Sala, Nocturnes, Delphina Project Space, London, U.K.
Concentration 41. Museum of Art, Dallas, U.S.A.
Rüdiger Schöttle, Munich/D with Martin Creed, Germany

2000
Stichting De Appel, Amsterdam.
Intervista, Galerie Rüdiger Schöttle, Munich, Germany.
Nocturnes, MAMCO, Geneva, Switzerland.
Galerie Johnen & Schöttle, Cologne/D, Germany.

2012
Le Clash, nouvel accrochage du Mac/Val.
Dammi i colori dans “ever living ornement”, La Marechalerie, Versailles.
Living With Video, curated by Chantal Crousel, Pavillon Downtown, Dubaï, UAE.
Les Espaces de mémoire (Erinnerungsräume), Kunsthalle, Düsseldorf, Germany.

2011
Distant Star/Estrella Distante, Regen Projects, Los Angeles, U.S.A./kurimanzutto, Mexico D.F., Mexico.
Blockbuster: Cinema for Exhibitions, Museo de Arte Contemporáneo de Monterrey (MARCO), Mexico.
Entre-Temps- The Artist as a Narrator, Minsheng Art Museum, Shanghai.
Festival d’Automne, Paris, France.
French Window, Mori Art Museum, Tokyo, Japan.
Out-of-Sync. The Paradoxes of Time, MUDAM, Luxembourg.
8 1/2, A selection of works from the exhibitions organized by the Fondazione Trussardi, Fondazione Trussardi, Florence, Italy.
Musée d’Art Contemporain, Montreal, Quebec. 

2010
Anri Sala at the Serpentine Gallery Map Marathon, Frieze Art Fair, October 2010,
Diep, Festival de la côte de l’albâtre, Les Impressionistes, Normandy, France.
…On the Easter Front. Video Art from Central and Eastern Europe, 1989-2009, Ludwig Museum, Budapest, Hungary.
Gender Check: Femininity and Masculinity in the Art of Eastern Europe, Zacheta National Gallery of Art, Warsaw, Poland.
Catch Me! - Gaschwindigkeit fassen, Kunsthaus Gras, Gras, Autria.
Haunted: Contemporary Photography/Video/Performance, Guggenheim Museum, New York, U.S.A.

2009
Please do not show this to anyone, Open House at Iaspis 2009, Stockholm, Sweden.
Territoria#4, Centro per l’arte contemporanea Luigi Pecci, Prato, Italy.
Arena, Valenzuela Klenner Gallery, Bogota, Colombia.
II Tempo del Postino, A Group Show, Basel Theater, Switzerland.
Etrange familiarité, familière étrangeté, La galerie Montgrand – Ecole supérieure des Beaux Arts de Marseille, Marseille, France.
Closer, Beirut Art Center, Beirut, Lebanon.
Vidéos Europa, Le Fresnoy, Studio national des arts contemporains, Tourcoing, France.
Holbein to Tillmans, Schaulager, Münchenstein/Basel, Switzerland.
Monument to transformation, Tranzit and City Gallery, Prague, Czech Republic.
Entre-temps, L’artiste narrateur, Une décennie d’art français issue des collections video du Musée d’Art Moderne de la Ville de Paris, MIS / Paco de Artes, Sao Paulo et Oi Futuro, Rio de Janeiro, Brezil.
Look Again, Tabakalera San Sebastian, Donostia-San Sebastián, Spain.
Signals in the Dark: Art in the Shadow of War, Model Arts and Niland Gallery, Sligo, Ireland.
Invasion of Sound, The Zacheta National Gallery of Art, Warsaw, Poland.
Medium Religion, Model Arts and Niland Gallery, Ireland.

2008
Sound Time Material, Château des Adhémar, Montélimar, France.
Dans la nuit, des images, Nef du Grand Palais, Paris, France.
Intrusions Petit Palais, Musée des Beaux-Arts de la ville de Paris, France.
Ihme Taidesäätiö, Pro Arte Fondation Finland.
God and Goods, curated by Sarah Cosulich Canarutto and Francesco Bonami,Villa Manin, Centro d’Arte
Contemporanea, Codroipo (Udine), Italy.
Come, come, come into my world, curated by Andrew Renton, Contemporary Art Collection, Ellipse Foundation, nov 16, 2007 – aug 31, 2008; Cascais, Portugal.
The Greenroom: Reconsidering the Documentary and Contemporary Art, Hessel Museum of Art, CCS Bard, Annandale-on-Hudson, NY, U.S.A.
Ours: Democracy in the Age of Branding, Parsons The New School for Design, New York, NY, U.S.A.
Archive Fever: Uses of the Document in Contemporary Art, Curated by Okwui Enwezor, International Center of Photography, New York, NY, U.S.A.
Medium Religion, ZKM – Museum für Neue Kunst, Karlsruhe, Germany.
La Centrale Electrique - European Centre for Contemporary Art, Brussels, Belgium.
Modern Ruin, Queensland Art Gallery, Gallery of Modern Art, Brisbane, Australia.
Die Lucky Bush, Museum van Hedendaagse Kunst, Antwerp, Belgium.
Der Grosse Wurf / Falling right into place – Faltungen in der Gegenwartskunst / The Fold in Contemporary Art, Kaiser Wilhelm Museum – Kunstmuseen Krefeld, Krefeld, Germany.
Eclipse - Art in a Dark Age, Moderna Museet, Stockholm, Sweden.
Peripheral vision and collective body, Museion, Bozen, Italy.
Der grosse Wurf, Museum Haus Esters – Museum Haus Lange, Krefeld, Germany.
Collection Videos & Films Isabelle & Jean-Conrad Lemaitre, Kunsthalle Kiel Kiel, Germany.
Word, tale and motley narration: a video parade from different points, Atlas Gallery, Ankara, Turkey.
Hong Kong Film Archive [in collaboration with Goethe-Insitut Hongkong, Hong Kong.
Loop International Festival & Fair for Video Art, Barcelona, Spain.
Euro-Centric, Part 1: European Art from the Rubell Family Collection, Rubell Family Collection, Miami, U.S.A.
The Morning After – Videoarbeiten der Sammlung Goetz, Neues Museum Weserburg, Bremen, Germany.
Paixóns Privadas, Visións Públicas, MARCO Museo de Arte Contemporánea de Vigo, Vigo, Spain.
Reality Check, Statens Museum for Kunst, Copenhagen, Danemark.

2007
Hay algo de relucionario en todo esto, Sala Parpallo Valencia, Spain.
Chez Bushwick, Video Art From France (part of Crossing the Line, FIAF Fall Festival).
Territoires de l’image, Le Fresnoy 10 ans de creation, Musée des Beaux-Arts de Tourcoing, France.
Her(his)tory, Museum of Cycladic Art, Athènes, Greece.
Imagenes del otro lado, Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain.
Airs de Paris, Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France.
II Tempo del Postino A Group Show, Manchester International Festival, Opera House Manchester, Manchester, U.K.
Je est il Je sont ils?, Abbaye Saint-André, Meymac, France.
E-Flux Video Rental, Austin and Canary Islands, Istanbul, Turkey.
The Israeli Center for Digital Art, Holon, Israël.
Sensorium Part II, MIT List Visual Art Center, Boston, U.S.A.
The Projection Project, MUHKA, Anvers, Belgium.
Eclipse, Witte de With, Amsterdam, Netherlands.
Absolute Beginners, Isola Art Center, Milan, Italy.
L’œil écran ou la nouvelle image. 100 vidéos pour repenser le monde, Casino Luxembourg – Forum d’art contemporain, Luxembourg.
Double Sens, Galerie Commune, Ecole Régionale Supérieure d’Expression Plastique de Tourcoing Architectures, Situations Locales, Galerie Art & Essai, Rennes, France.
Entre Fronteiras/ Between Borders, Museo de Arte Contemporaneo de Vigo (MARCO), Spain.

2006
La vidéothèque mobile, Ecole National Supérieur d’Architecturede Paris-Belleville France.
All Hawaii Entrées / Lunar Regga , co-curated by Philippe Parreno and Rachael Thomas, The Irish Museum of Modern Art, Dublin, Ireland.
Histoire(s), Grand Café, 12 novembre 2006 - 07 janvier 2007, Saint-Nazaire, France.
L’usage du monde, Musée Art moderne et Contemporain, 15 sept-6 oct, Rijeka, Croatia.
Territory, Vancity Theatre, July – August 2006, Vancouver, Canada.
Two scenes in three acts, Stockholm, Sweden.
Mens. Verhaal van een wonder… , Löwen (16 sept–19 nov 2006), Belgium.
CIRCA, Puerto-Rico 2006, Porto-Rico.
Painting Ruins, Afghan Foundation for Culture & Civil Society, Kabul, Afghanistan.
Au delà des images ,Galerie Sfeir-Semler, Beyrouth, Lebanon.
Reprocessing reality , curated by Claudia Spinelli. Contemporary Art Center, New York, U.S.A.
Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Udine, Italy.
An image bank for everyday revolutionary life, Redcat, Los Angeles, CA, U.S.A.
Parcours#1/Circuit#1, Musée d’Art Contemporai du Val-de-Marne, MAC/Val Collection, Vitry-sur-Seine, France.
Archipeinture, Le Plateau, Paris, France.
Tale of Places, The Center for Curatorial Studies and Art in Contemporaries culture, Bard College, NY, U.S.A.
Send me to the seas of love, Im drowning in my blood, Radical Closure, 52° Internationale Kurzfilmtage Oberhausen, Germany.
Sensorium Part I, MIT List Visual Art Center, Boston, U.S.A.
Interrupted Histories, Moderna Galerija Ljubljana, Lubljana.
Of Mice and Men, 4’ Berlin Biennale für zeitgenössische Kunst 2006, Berlin, Germany.
Infinite Painting, Villa Manin Centre For Contemporary Art, Codroipo/IT, Cur. Francesco Bonami, Sara Cosulich Canarutto, Italy.
Raconte-Moi/Tell Me, Casino Luxembourg – Forum d’Art Contemporain, Luxembourg.
Altered States, Taipei Fine Art Museum, Taipei, Taïwan.
Galeria e Arteve e Kosovës, curated by Mehmet Behluli.
The Zoo Logical Garden, NY, U.S.A.
Noorderzon Festival in Groningen, Holland.
Palazzo Papesse, L’Ombra, Siena, Italy.
L’idéale Transparence, Villa Arson, Nice, France.
Irish Museum of Modern Art, ‘Emotional Rescues’, Dublin/IR Kunstforum Ostdeutsche Galerie, ‘Grenzgänger’, Regensburg, Germany.
Kunsthalle Göppingen, ‘Vom Pferd erzählen’, Göppingen, Germany. Irish Museum of Modern Art, ‘Emotional Rescues’, Dublin, Ireland. Kunsthalle Wien, ‘Fussball goes Art’, Vienna, Austria. Whitstable Biennial, ‘The Waiting Place’, Whitstable, U.K. The Drawing Room, ‘The Secret Theory of Drawing’, London, U.K. Contour Mechelen, ‘NOCTOUR’, Mechelen, Belgium. 15th Biennale of Sydney 2006, Sydney, Austrialia. International Short Film Festival, Oberhausen, Germany.
Haus am Waldsee. Ort internationaler Gegenwartskunst, ‘Anstoss Berlin – Kunst macht Welt’, Berlin, Germany.

2005
The Gesture, Macedonian Museum Of Contemporary Art, 18 July-18 september, Thessaloniki, Greece.
May you live in interesting times, Festival of Creative Technology, 28-30 oct , Cardiff, U.K.
Des deux côtés du Rhin–Mouvement/Ambiance, Museum Ludwig, Köln, K21, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany.
16ème Festival International du Documentaire, Marseille T.N.M. de la Criée, France.
Point of view, Bibliothèque Municipale Flandre, Paris, France.
Court toujours, Centre de Beaulieu, France.
19 rainstorms, Western Bridge, Seattle, U.S.A.
Irreducible, Contemporary Short Form Video, Logan Galleries of the CCA, San Francisco Campus, U.S.A.
Faces in the Crowd. Images of modern life from Manet to today, Castello di Rivoli, Turin, Italy.
Reprocessing Reality, New perspectives on Art and the Documentary, Château de Nyon, Switzerland.
La Actualidad Revisada, La Tabacalera, San Sebastian, Spain.
Opening Project: Emergencies, MUSAC, Leon, Spain.
Festival international des arts visuels et musiques innovantes, Toulouse, France.
No Manifesto, Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy.
Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Torino, Italy.
Kiosque video #2, atheneum, Dijon, France.
Agir Proche, Maison de la culture d’Amiens, France.
Now I See, Art Basel, Art Film, stadtkino Basel, juin, Basel, Switzerland.
EidhovenIstanbul, Van Abbemuseum Eidhoven, Netherlands.
Raconte-moi, MNBA Québec, Canada.
Concerning War. Soft Target. War as daily, First-Hand Reality, Bak Basis Voor actuele kunst, Netherlands.
In Absentia, Centre d’art Passerelle, Brest, France.
7’ Medien und Architektur Biennale, Graz, Austria.
Soft Target: War as a daily, first hand reality, Basis for Actueele Kunst, Utrecht, Netherlands.
Universalism at Stake, Spacex Gallery, Exeter, U.K.
Anyang Public Art Project, Anyang, Korea.
Something of the Night, Leeds City Gallery, Leeds, U.K.
Projekt Migration‚ Roadmap to Europe, Kölnischer Kunstverein, Cologne, Germany.
Fraktale IV, Tod. 25 Positionen zeitgenössischer Kunst zum Phänomen Tod, Palast der Republik, Berlin, Germany.
Pursuit of Happiness, Kader van Beyond, Leidsche Rijn, Netherlands.
Realit;-)T. 30 Videoarbeiten aus der Sammlung Goetz in München, Seedamm Kulturzentrum, Pfäffikon, Switzerland.
Preis der Nationalgalerie für Junge Kunst 2005, Hamburger Bahnhof. Museum für Gegenwart, Berlin, Germany.
Fast Nichts – Minimalistische Werke aus der Sammlung Flick, Hamburger Bahnhof. Museum für Gegenwart, Berlin, Germany.
Nach Rokytnik – Die Sammlung der EVN, MUMOK-Museum moderner Kunst Stiftung Ludwig Wien, Vienna, Austria.
X Wohnungen Suburbs 2005, Hebbel am Ufer, Berlin, Germany.
Festival of Contemporary Visual Art, Glasgow International, Glasgow, U.K.
3 minutes, Centro Galego de Arte Contemporànea, Santiago de Compostela, Spain.
Videos in Progress, a series of videos looping continuously during museum hours, RISD, Museum of Art, Rhode Island School of Design, Providence, U.S.A.
Colour after Klein, Barbican Centre, London, U.K.
Film-festival Vision du Réel, Chateau de Nyon, Nyon, France.
Reykjavik Art Festival, Contemporary Art center Klink & Bank, Reykjavik, Iceland.

2004
Paysages invisibles, Musée Départemental d’Art Contemporain de Rochechouart, France.
3 minutes, Schirn Kunsthalle Frankfurt, Germany.
Down Here, Bergen Kunsthall, Bergen, Norway.
Fair Trials: a group exhibition extended in time, Swedish Contemporary Art Foundation, Stockholm, Sweden. Document(all), Marcelis Theater, Brussels, Belgium. (cur. Berta Sichel) Time Zones, Tate Modern, London, U.K. (cur. Jessica Morgan, Gregor Muir) Cetinje Biennale, Montenegro. Cine y casi cine, Museo de Arte de la Reina Sofia, Madrid, Spain.
Mediterraneans, Macro Museum, Roma, Italy.
A Fripon. Fripon et Demi, Collection Lambert en Avignon, Avignon, France.
Courtisane 04, International Festival for Short Film, Video and New Media, Ghent, Belgium.
Paysaje y memoria, La Casa Encendida, Madrid, Spain.
Communauté, Institut d’Art Contemporain, Villeurbanne, France.
Situations construites, Attitudes, Espace d’arts contemporains, Geneva, Switzerland.
Merce Cunninghan dance company, Opéra de Paris, France.
The Exhibition of Visual Art, Limerick City Art Gallery, Limerick, Ireland.
Faces in the Crowd, Whitechapel Art Gallery, London, U.K.
15 Jahre Deichtorhallen, Deichtorhallen, Hamburg, Germany.
E-W/N-S – séquence 2, Arc en Rêve, Bordeaux, France.
Utopia Station, Haus der Kunst, Munich, Germany.
Paysages invisibles, Musée de Rochechouart, Rochechouart, France.
Love it or Leave it, 5th Biennale Cetinje, Cetinje, Montenegro.
Die Zehn Gebote, Deutsches Hygiene-Museum, Dresden, Germany.
Mediterraneans-Arte Contemporanea, MACRO, Rome, Italy.
Point of view: An Anthology of the Moving Image, New Museum of Contemporary Art, New York, U.S.A.
Special Program, International Short Film Festival Oberhausen, Oberhausen, Germany.
In.Progress section, 57th Locarno International Film Festival, Locarno, Switzerland.
NON-SECT/RADICAL : Contemporary Photography III, Yokohama Museum of Art, Yokohama, Japan.
Privatisierungen. Zeitgenössische Kunst aus Osteurop, KW Institute for Contemporary Art, Berlin, Germany.
Artists’ Favourites, Institute of Contemporary Arts, London, U.K.
DAK’ART, The Biennial of Contemporary African Art, Dakar, Senegal.
Museo de Arte Contemporaneo, cur. By Agustin Perez Rubio, Leon, Spain.
Delay, Museum Boijmans Van Beuningen, Rotterdam, Netherlands.
The Encounters in the 21st Century/Polyphony-Emerging Resonances, 21st Century Museum of Contemporary Art, Kanazawa, Japan.
Onufri 2004 Prize, National Gallery of Art, Tirana/Albania.
3 minutes, Schirn Kunsthalle, Frankfurt, Germany.
2004 Taipei Biennial, Taipei Fine Arts Museum, Cur. Esther Lu, Elena Filipovic, Taiwan.
Continental Breakfast, Belgrade.

2003
Repetition: Pride & Prejudice, Galerija Nova, Teslina, Zagreb, Croatia.
Remind, Kunsthaus Bregenz, Germany.
Bandes à part : le cinéma dans l’art contemporain, Musée d’art moderne et contemporain, Strasbourg, France.
Appel à témoins, Le Quartier, Quimper, France.
Moulène-Sala, Musée des beaux Arts, Nantes, France.
Fast forward. Media Art / Sammlung Goetz, ZKM, Karlsruhe, Germany.
U-Topos, Tirana Biennale 2,Tirana, Albania.
Through the Eye of a Needle, Galerie Chantal Crousel, Paris, France.
Images of Society, Kunstmuseum, Thun, Swizterland.
In den Schluchten des Balkans, Kunsthalle Fridericianum Kassel, Kassel, Germany.
Fictions du réel-Festival international du documentaire, Marseille, France.
10eme Biennale pour l’Image en Mouvement, Centre pour l’Image Contemporaine, Saint Gervais, Geneva, Switzerland.
Utopia station, Venice Biennal, Italy.
Blood and Honey, Kunst der Gegenwart Sammlung Essl, Vienna, Austria.
Multitudes–Solitudes, Museion – Museo d’arte moderna e contemporanea, Bolzano, Italy.
Writing Identity, Autobiography in Art, Galerie fûr Zeitgenôssische Kunst, Leipzig, Germany.
Hardcore. Vers un Nouvel Activisme, Palais de Tokyo, Paris, France.
Witness. Contemporary artists document our time, Barbican Art Center, London, U.K.
Digital Art Lab, Tel Aviv, Israel.
ARCO, Madrid, Spain.
El aire es azul / the aire is blue, , Casa Museo Luis Barragan, Mexico D.F., Mexico.
El cine del afuera: el espiritu del retrato, Arteleku, Donostia, Spain (screening program).
Eden, La Coleccion Jumex, Antiguo Colegio de San Ildefonso, Mexico D.F, Mexico.
Categories: Post-Verité, Centro Parragà, Murcia, Spain.
Poetic Justice, 8th Istanbul Biennale, Istanbul, Turkey.
Moving Picture, Guggenheim Bilbao, Bilbao, Spain.
Balkan Visions, Galerie Museo AR/GE Kunst, Bozen, Italy.
Warum! Bilder Diesseits und Jenseits des Menschen, Martin-Gropius-Bau, Berlin, Germany.
Blut und Honig, Sammlung Essl, Klosterneuburg, Austria.
Manfred Pernice–Neo Rauch-Francis Alys-Anri Sala. Die Erfindung der Vergangenheit, Pinakothek der Moderne, Munich, Germany.
Anri Sala, Carl Johan Erikson, Veli Granö, Index, Stokholm, Sweden.
Moltidudini-Solitudini, MUSEION, Bozen, Italy.
Les 20 ans des FRAC, Paris, France.

2002
Haunted by detail, De Appel, Amsterdam, The Netherlands.
Plus qu’une image, Nuit Blanche, Les Anciennes Pompes Funèbres, Paris, France.
Kusammenhägen herstellen, Kunstverein in Hamburg, Germany.
The Mind is a Horse, Bloomberg Space, London, U.K.
Géographies #2, Galerie Chantal Crousel, Paris, France.
Les enfants du Paradis, Galerie Yvon Lambert, Paris, France.
MARCO – Museo de Arte Contemporanea de Vigo, Vigo, Spain.
ForwArt, a choice, Mont des Arts, Brussels, Belgium.
Objets de réflexion, Le Plateau, Paris, France.
Le regard de l’autre, Musée des Beaux–Arts, Rouen, France.
Des goûts et des couleurs, Musée des Beaux-Arts, Lons-le-Saunier, France.
Viewmaster, NICC, Antwerpen, Belgium.
Un inventaire contemporain, salle audiovisuelle du Jeu de Paume, Paris, France.
Videoserie in der Film Box, München, Germany.
Solos for Video, K21, Düsseldorf, Germany.
Sao Paulo Biennial, Sao Paulo, Brazil.
C’est pas du cinéma, Le Fresnoy, Tourcoing, France.
Private Affairs, Kunsthaus Dresden, Germany.
Galerie Jöhnen & Schöttle, Kologne, Germany.
Cardinales, MARCO, Vigo, Spain.
History, Salzburger Kunstverein, Salzburg, Austria.
Trauma, Museum of Modern Art Oxford, Oxford, U.K.
Sao Paulo Biennale 2002 (mit Moulène), Contemporary Art Museum, Chili.
El aire es azul-the air is blue, Casa Museo Luis Barragàn, Mexico, City Mexico.
Moulène-Sala Sao Paulo 2002, Programma Art Centre, Mexico City, Mexico.
Superstudio, Yvon Lambert, Paris, France.
In Search of Balkania, Neue Galerie am Landesmuseum Joannum, Graz, Austria.
Continous Play (Nat. mystic), Luhring Augustine, New York, U.S.A.
Do It, Online project, Cur. Hans-Ulrich Obrist. Slow Motion, Ludwig Forum für Internationale Kunst, Aachen, Germany.
Photographier, Collection Lambert en Avignon, Avignon, France.
Protest Respekt, Kunsthalle, St. Gallen, Switzerland.
Galerie Johnen & Schöttle, Cologne, Germany.
Manifesta 4, Frankfurt, Germany.
Big Social Game, International Biennale of Young Art, Torino, Italy.
Ten Years Galerie Hauser & Wirth, Galerie Hauser & Wirth, Zurich, Switzerland.
Handlungsanweisungen–Kunstpfad am Karlsplatz 2002-2004, Kunsthalle Wien, Wien, Austria.

2001
The Mediterranean: a new wall ?, Culturgest, Edificio Sede da Caixa general de Depositos, Lisboa, Portugual.
Arrêt sur image – zeitgenössische Kunst aus Frankreich, Kunst-Werke Berlin, Institute for Contemporary Art, Berlin, Germany.
Beautiful Strangers, IFA Galerie, Berlin, Germany.
Solos for video, Kunstsammlung im Ständehaus, Düsseldorf, Germany.
Berlin Biennale 1, Berlin, Germany.
Trauma, Firstsite, Colchester, U.K.
Conversations, Museum of Modern Art, Belgrade, Yugoslavia.
Depiction, Steirischer Herbst, Graz, Austria.
Situation, Immanence, Paris, France.
Watou Poëziezomer, Watou, Belgium. `
Neue Welt, Frankfurter Kunstverein, Frankfurt, Germany.
Believe, Westfatischer Kunstverein Münster, Germany. Tirana Biennial 1, Tirana, Albania.
Art Unlimited, Basel, Switzerland.
Passwor(l)ds, Künstlerhaus Stuttgart, Germany.
Raum Aktueller Kunst, Vienna, Austria.
BB2, Berlin Biennial, Berlin, Germany.
Wiener Festwochen, Vienna, Austria.
Manifesta 4, Frankfurt, Germany.
Yokohama 2001: International Triennale of Contemporary Art, Yokohama, Japan.
The Gift, generous offerings, threatening hospitality, Palazzo delle Papesse, Sienna ; Centro Culturale Candiani, Mestre, Italy ; Coproduced with Independant Curators International, NY, U.S.A.
Espace Croisé, Roubaix, France.
Unpacking Europe, Haus der Kultur der Welt, Berlin; Musée Boijmans, Rotterdam, Amsterdam, Netherlands. Uniform: Order and Disorder, PS1 Contemporary Art Center, New York, U.S.A.
Anri Sala. Christian Jankowski, De Appel Nieuwe Spiegelstraat, Amsterdam, Netherlands.
Trauma, Dundee Contemporary Arts (in collaboration with Hayward Gallery), Dundee, U.K.
Nocturnes, Delfina Project Space, London, U.K.

2000
Endgame, Biagiotti Progetto Arte, Florence, Italy.
Géographies, Galerie Chantal Crousel, Paris, France.
City Vision: Clip City, Inter media city seoul, Seoul, Korea.
Man muss ganz schön viel lernen um hier zu funktionieren, Frankfurtor Kunstverein, Frankfurt, Germany.
Coast to Coast, Placentia Arte, Piacenza, Italy.
Martin Boyce & Anri Sala, Johnen et Schöttle, Köln, Germany.
Voilà – Le Monde dans la Tête, Musée d’Art Moderne de la Ville de Paris, Paris, France.
Manifesta 3, Biennale Européenne de l’Art Contemporain, Ljubiana, Slovenia.
Wie Weg – Disappeared, Rotor Association for Contemporary Art, Graz, Austria.
Wider Bild Gegen Wart / Positions to a Political Discourse, Raum Aktueller Kunst, Vienna, Austria.
In and out, National Gallery Tirana, Albania.
Finale di partita, Biagiotti Progetto Arte, Firenza, Italy.


1999
After the Wall: Art and Culture in Post-Communist Europe, Moderna Museet, Stockholm, Sweden.
After the Wall: Art and Culture in Post-Communist Europe, Ludwig Museum, Budapest, Hungary.
Albanian Pavillion, 47th Venise Biennale, Italy.

1997
Ostrenanije-97, Video Festival, Bauhaus, Dessau, Germany.

1995
Tunnel 95, Galerie Nationale, Tirana, Albania.
Spring 95, 1er prix, Galerie Nationale, Tirana, Albania.
Symposium Kultur Kontakt, Kunsthaus Horn, Austria.

1994
Paysage Écologique, Galerie de l’Académie Nationale des Arts, Tirana, Albania.
Albanian Contemporay Art, Galerie Janos Gat, New York, U.S.A.