2011
Haegue Yang: Wild Against Gravity, ed.by Ryan Shafer and Emly Smith, exh. cat. Aspen Art Museum, Colorado, USA & Modern Art Oxford, Oxford, UK, 2011.
Haegue Yang: Arrivals, Catalogue raisonné 1994 - 2011, ed. by Yilmaz Dziewior, exh. cat. Kunsthaus Bregenz, Berlin 2011.

2010
Haegue Yang: Voice Over Three, ed. by Samuso and Hyunsilmunwha, exh. cat. Artsonje Center, Seoul 2010 (Kor.).
Haegue Yang: Siblings and Twins, ed. by Melanie Ohnemus, exh. cat. Portikus, Frankfurt am Main 2010.

2009
Haegue Yang: Condensation, ed. by Eungie Joo, exh. cat. Arts Council Korea, Seoul / Berlin 2009.
Haegue Yang: Melancholy is a Longing for the Absoluteness, ed. by Samuso and Hyunsilmunwha, Seoul 2009 (Kor.).
Haegue Yang: Symmetric Inequality, ed. by Leire Vergara, exh. cat. Sala Rekalde, Bilbao 2009.

2008
Haegue Yang: Asymmetric Equality, ed. by Clara Kim, exh. cat. REDCAT, Sala Rekalde, Los Angeles, Bilbao 2008.

2007
Haegue Yang: Community of Absence, ed. by Binna Choi, exh. cat. BAK, basis voor actuele kunst, Utrecht / Frankfurt am Main 2007.
Haegue Yang: Sadong 30, ed. by Hyunjin Kim, exh. cat. Sadong 30, Berlin 2007.
Haegue Yang: Unpacking Storage Piece, ed. by Axel Haubrok, Berlin 2007.

2006
Lichtkunst aus Kunstlicht; ed. by Peter Weibel and Gregor Jansen, exh. cat Zentrum für Kunst und Medientechnologie, Ostfildern 2006.

2004
Black Friday: Exercises in Hermetics, ed. by Christoph Keller, exh. cat. Galerie Kamm, Piet Zwart Institute, Berlin, Rotterdam / Frankfurt am Main 2004.
The Pages, ed. by Haegue Yang, Maureen Mooren and Daniel van der Velden, exh. cat. Hessisches Landesmuseum, Darmstadt, Frankfurt am Main 2004.

2002
Haegue Yang: Blink, ed. by Sunjung Kim, exh. cat. Artsonje Center, Seoul 2002.
Haegue Yang: Luft und Wasser, ed. by Isabel Podeschwa, exh. cat. Dresdner Bank, Frankfurt am Main 2002.
Haegue Yang: Industrie und Technik, ed. by Haegue Yang, exh. cat. Mannheimer Kunstverein, Frankfurt am Main 2002.

2001
Grid Bloc, ed. by Haegue Yang, Frankfurt am Main 2001.
Haegue Yang: Sonderfarben, ed. by Haegue Yang, Berlin 2001.

2000
Week on Two Pages Diary, ed. by Haegue Yang, exh. cat. 1822-Forum, Frankfurter Sparkasse, Frankfurt am Main 2000.

2011

Air Hole: Another Conceptualism from Asia, ed. by Azusa Hashimoto, exh. cat. The National Museum of Art, Osaka 2011 (Jap.).

2010

Oh! Masterpieces, ed. by Hong Hee Kim, exh. cat. Gyeonggi MoMA, Ansan 2010, pp. 34-35.

Squatting. Erinnern, Vergessen, Besetzen, ed. by Tilo Schulz / Jörg van den Berg, Temporäre Kunsthalle Berlin 2010, p. 87.

The New Décor, ed. by Ralph Rugoff, exh. cat. Southbank Centre, London 2010, pp. 134-145.

Urban Origami, ed. by Gaia, Persico, exh. cat. PM Gallery, London 2010, pp. 32-33. 

10,000 Lives, ed. by Massimiliano Gioni and Judy Ditner, exh. cat. 8th Gwangju Biennale, Gwangju 2010, pp. 118-119, 472.

2009

Making Worlds, ed. by Daniel Birnbaum and Jochen Volz, exh. cat. La Biennale di Venezia, Marsilio 2009, pp. 122-123.

New Communities, ed. by Nina Möntmann, The Power Plant and Public Access, Toronto 2009.

Your Bright Future: 12 Contemporary Artists From Korea, ed. by Christine Starkman and Lynn Zelevansky, The Museum of Fine Arts, Houston, and Los Angeles County Museum of Art, Los Angeles 2009, pp. 168-177.

2008

Falling Right into Place: The Fold in Contemporary Art, ed. by Sylvia Martin, exh. cat. Kunstmuseum Krefeld, Freiburg 2008, pp. 112-119.

Eurasia: Dissolvenze geografiche dell’ arte, ed. by Achille Bonito Oliva, exh. cat. Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Milano 2008, pp. 178-179.

Life on Mars: 55th Carnegie International, ed. by Douglas Fogle, exh. cat. Carnegie Museum of Art, Pittsburgh 2008, pp. 348-353.

Open / Invited e v+ a 2008 – too early for vacation, ed. by Paul M O’Reilly, exh. cat. e v+ a - exhibition of visual art, Cork 2008, pp. 158-161.

50 Moons of Saturn: T2 Torino Triennale, ed. by  Daniel Birnbaum, exh. cat. Castello di Rivoli Museo d’Arte Contemporanea, Fondazione Sandretto Re Rebaudengo and Fondazione Torino Musei, Milano 2009, pp. 300-305.

2007

Kunstpreis Böttcherstrasse 2007, ed. by Wulf Herzogenrath, exh. cat. Kunsthalle Bremen, Bremen 2007, pp. 50-55.

Made in Germany, exh. cat., ed. by Kestnergesellschaft, Kunstverein Hannover, Sprengel Museum Hannover, Ostfildern 2007, pp. 282-285.

Micro-Narratives: 48th October Salon, ed. by Lóránd Hegyi, exh. cat. Belgrade Cultural Centre, Belgrade 2007, pp. 76-77.

Political Design, Design of Politics, ed. by Junghae Lee, exh. cat. Zero One Design Centre, Seoul 2007, pp.89-95 (Kor.).

STADTanSICHTen Seoul: Räume, Menschen, ed. by Institut für Auslandsbeziehungen e. V., exh. cat. ifa-Galerie Stuttgart and Berlin, Stuttgart 2007, pp. 38-41.

Tomorrow, ed. by SAMUSO: space for contemporary art, exh. cat. Artsonje Center, Kumho Museum of Art, Seoul 2007, pp. 164-167.

2006

Personal Affairs: New Forms of Intimacy, ed. by Markus Heinzelmann, exh. cat. Museum Morsbroich, Köln 2006, pp. 160-167.

Pigment, Piano, Marble, ed. by Mandla Reuter, exh. cat. Maipú 327, Buenos Aires / Frankfurt am Main 2006, pp. 122-123.

27a. Bienal de São Paulo: Como Viver Junto, ed. by Lisette Lagnado and Adriano Pedrosa, exh. cat 27a. Bienal de São Paulo, São Paulo 2006, pp. 412-413.

2004

Chasm: Busan Biennale 2004, ed. by Hwang Hur and Biennale Organising Committee, exh. cat. Busan Metropolitan Art Museum, Busan 2004, pp. 120-121.

MixMax, ed. by Sunjung Kim, exh. cat. Artsonje Center, Seoul, pp. 87-96.

Türme Babylons – Hommage an eine Reise, ed. by Nasrin Amirsedghi, exh. cat. Landesmuseum Mainz, Köln 2004, pp. 90-93.

2003

Facing Korea: Korean Contemporary Art 2003, ed. by Henk Slager et al., exh. cat. De Appel Arts Centre, Canvas International Art, Foam, Fotografiemuseum, Instituut voor Mediakunst Amsterdam, Montevideo, Seoul 2003.

From Dust to Dusk: International Exhibition of Contemporary Art, ed. by Pontus Kyander, exh. cat. Kunsthal Charlottenborg, Charlottenborg 2003, pp. 6-19, 100-101. 

Hermès Korea Missulsang for Contemporary Korean Art, ed. by Hermès Korea and Artsonje Center, exh. cat. Artsonje Center, Seoul 2003, pp. 41-64.

2002

Manifesta 4: European Biennial of Contemporary Art, ed. by Janneke de Vries, exh. cat., Ostfildern 2002, pp. 76-77.

P_A_U_S_E: Gwangju Biennale 2002, exh. cat., ed. by  Gwangju Biennale Foundation, Gwangju 2002.

Ssamzie Studio 3, exh. cat., ed. by Ssamzie Space, Seoul 2002.

40 Jahre: Fluxus und die Folgen, ed. by René Block and Regina Bärthel, exh. cat. Wiesbadener Kunstsommer, Wiesbaden 2002, pp. 210-211.

2001

Frankfurter Kreuz: Transformationen des Alltäglichen in der zeitgenössischen Kunst, ed. by Annette Tietenberg, exh. cat. Schirn Kunsthalle, Frankfurt am Main and Ostfildern 2001, pp. 342-347. 

Helga & Goldankauf, ed. by Nevin Aladag, Beate Engl and Alexander Laner, exh. cat. Kunstraum München, München 2001.

Invisible Touch, ed. by Sungwon Kim, exh. cat. Artsonje Center, Seoul 2001.

Lunch Time of Necktie Force, ed. by Yunhee Kim, exh. cat. Posco Art Museum, Seoul 2001.

Tirana Biennale 1: Escape, ed. by Giancarlo Politi, exh. cat. Tirana Biennale, Milano 2001, pp. 464-465.

2000

Art or Design, ed. by Sungjun Kim, exh. cat. Seoul Arts Center, Seoul 2000.

Where I am, ed. by Anabela Costa, Francisco Vaz Fernandes and Câmara Municipal de Lisboa, exh. cat. Galeria Municipal da Mitra, Lissabon / Lisbon 1998, pp. 40-41.

1998

Seoul in Media: Food, Clothing, Shelter, ed. by Youngchul Lee, exh. cat. Seoul Metropolitan Museum of Arts, Seoul 1998. 

Stuttgart, 17.7.1956 – Salem (Wis.) / USA, 3.3.1977, ed. by Angelika Nollert, exh. cat. Portikus, Frankfurt am Main 1998. 

“Cittadella under Water”, in:Kaleidoscope, No. 10, Spring 2011, pp. 125-132.

“Poetics of Displacement”, in:Nowiswere Contemporary Art Magazine, No. 9, April 2011, pp. 4-7, 42-45, 64-67.

“Two times chain falls”, in:Vorarlberger Nachrichten, Beilage Kunst erleben und sammeln 07, Beilage der Vorarlberger Nachrichten, January 15/16, 2011.

“Poetics of Displacement”,KUB-Billboards, Kunsthaus Bregenz, Bregenz 2011.

“The Story of a Bear-Lady in a Sand Cave”, in:Animality, Inasthetics,No. 2, ed. by Wilfried Dickhoff and Marcus Steinbeck, Berlin 2011, pp. 155–159.

“Untitled”, in:Workers Leaving the Workplace, ed. by Joanna Sokolowska and Muzeum Sztuki, Lodz 2010, pp. 218-219.

“Contributions to an Artistic Anthropology”, in:NJP Reader, No. 1, ed. by Youngchul Lee and Henk Slager, Yongin 2010, pp. 58-59.

“Untitled” (2010), in:Parabol Art Magazine, No. 5, curated by Yilmaz Dziewior, Wien 2010, p. 46-47.

“The Story of a Bear-Lady in a Sand Cave”, in:The Sand, ed. by Tae-hi Kang, Seoul 2010.

“Suppression and Distraction – The Xerox portrait”, in:the Last Star-Ledger, No. 4, ed. by Max Andrews and Mariana Cánepa Luna, Barcelona / New York 2010 (Cover). 

“Heat in Work”, in: Zeigen:Eine Audiotour durch Berlin, Temporäre Kunsthalle, Berlin 2009.

“Landscape of Yenan, a place of encounter to fold, where history gets enfolded and an abstraction finally emerges”, in:Wessen Geschichte, ed. by Yilmaz Dziewior, Köln 2009, pp. 288-301.

“Illiterate Leftovers”, in:Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed, ed. by Michalis Pichler, Berlin 2008.

“A community not of two”, in:The Malady of Death, ed. by Yumi Kang, Seoul 2008.

“Quasi MB – In the Middle of its Story”, in:Casco Issues X. The Great Method, ed. by Peio Aguirre and Emily Pethik, Frankfurt am Main 2007, pp. 128-151. 

“Quasi MB – In the Middle of its Story”, in:The Copy Book, ed. by Barbara Buchmaier and Stefan Schuster, Berlin 2006. 

“Unfolding Places”, in:Report (Not Announcement), ed. by Binna Choi, Frankfurt am Main 2006, pp. 185-194.

“Noodle Soup”, in:GAS, No. 001: The Food Issue, curated by Jochen Volz, ed. by Pernille Albrethsen and Jacob Fabricius, Copenhagen 2006, p. 13.

“Collective Writing by Friendly Enemies”, in:Issue 00 Friendly Enemies Madonna Louise Veronica Ciccone, ed. by Jangun Kim, Hyunjin Kim, Jewyo Rhii and Haegue Yang, Seoul 2005.

“Manifest zur asymmetrischen Unterhaltung über Kunst”, with Peter Lütje, in:Univers, April 2005, ed. by Christian Egger et al., Wien 2005, p. 44. 

“Storage Piece”, in:Cork Caucus. On Art, Possibility and Democracy, ed. by Tara Byrne and National Sculpture Factory, Frankfurt am Main 2005, pp. 348-355.

“Anzeige Total”, in:Strassenfeger, ed. by Andreas Schlaegel, No. 21, October 2003.

“The Timing of Transaction”, in:supra.doc, ed. by Clémentine Deliss, Santi Erao, Franck Larcade, Hinrich Sachs, San Sebastián 2003.

“Ohne Titel”, in:Charley Nr. 1, ed. by Maurizio Cattelan, Bettina Funcke and Massimiliano Gioni,

Dijon 2002.

“Bathroom Contemplation”, in:Metronome No. 7. The Bastard, ed. by Clémentine Deliss, London, Paris, Oslo, Copenhagen, Stockholm 2001, pp. 170-178.

“Unknown social study about hidden data”, in:Metronome No. 4-5-6. Backwards Translation, ed. by Clémentine Deliss, Frankfurt, Vienna, Bordeaux, Edinburgh, Biella 1999, pp. ix-xvi.

“Städelschüler stellen sich vor: Haegue Yang”, in:Büchner. Kulturanzeiger, April, 1999, ed. by Werner Ost, Ulla Bayerl, Frankfurt am Main 1999, pp. 10-11.

2011

Vishmidt Marina, "Immer noch schreibe ich, um das Schreiben zu verbergen", Parkett n°89, 2011. 

“First major UK exhibition of Seoul and Berlin-based artist Haegue Yang”,Modern Art Oxford, June-Sept. 2011.

“Haegue Yang”, in:Misulsidae,March 2011, pp. 70-71 (Kor.).

Badrutt, Ursula: Haegue Yang, “Arrivals”, in:Kunst-Bulletin, March 1, 2011, p. 68.

Chateigné, Yann, “Haegue Yang – Kunsthaus Bregenz”, in:Frieze,No. 139, May 2011, p. 126.

Faguet, Michèle: “Haegue Yang: Arrivals”, in:Artforum International, January 2011, p. 109.

Fiduccia, Joanna: “New skin for the old ceremony”, in:Kaleidoscope, No. 10, spring 2011, pp. 120-124.

Gravagnuolo, Emma: “Machine della memoria”, in:Arte, January 2011, pp. 100-103.

Van der Heide, Bart: “The whiteness of meaning”, in:Kaleidoscope, No. 10, spring 2011, pp. 114-119.

Hohmann, Silke: “Schatten-Boxen”, in:Monopol, No. 1, January 2011, pp. 58-65.

Pyeon, Wan-shik, “Primitivism and civilization, conveyed by Sacre du Printemps and light sculptures; Korean contemporary artist Haegue Yang’s first solo exhibition in Austria takes place at Kunsthaus Bregenz”, in: The Segye Times, 25. January 25, 2011 (Kor.). 

Raymond, Yasmil: “Material agony: interview with Haegue Yang”, in: Kaleidoscope, No. 10, spring 2011, pp. 133-137.

Shin, Semi, “Young maestro Haegue Yang’s extraordinary presentation, a dazzling exhibition at the prominent Austrian institution, Kunsthaus Bregenz”, in: Munhwa Ilbo, January 25, 2011 (Kor.). 

Shin, Semi, “Focusing on a rising Asian artist, a distinctive perspective emerges in the contemporary art world”, in: Munhwa Ilbo, January 25, 2011 (Kor.). 

Tzotzi, Elena: “Elena Tzotzi diskuterar konstnären Haegue Yangs verk “, in: Paletten, No. 283, 2011, pp. 20-27.

Vahland, Kia, “Es leben die Kleiderständer”, in: Süddeutsche Zeitung, Februar 3, 2011, p. 13.

Pyeon, Wan-shik, “Primitivism and civilization, conveyed by Sacre du Printemps and light sculptures; Korean contemporary artist Haegue Yang’s first solo exhibition in Austria takes place at Kunsthaus Bregenz”, in: The Segye Times, 25. January 25, 2011 (Kor.).

Raymond, Yasmil: “Material agony: interview with Haegue Yang”, in:Kaleidoscope, No. 10, spring 2011, pp. 133-137.

Shin, Semi, “Young maestro Haegue Yang’s extraordinary presentation, a dazzling exhibition at the prominent Austrian institution, Kunsthaus Bregenz”, in:Munhwa Ilbo, January 25, 2011 (Kor.). 

Shin, Semi, “Focusing on a rising Asian artist, a distinctive perspective emerges in the contemporary art world”, in:Munhwa Ilbo, January 25, 2011 (Kor.). 

Tzotzi, Elena: “Elena Tzotzi diskuterar konstnären Haegue Yangs verk “, in:Paletten, No. 283, 2011, pp. 20-27.

Vahland, Kia, “Es leben die Kleiderständer”, in:Süddeutsche Zeitung, Februar 3, 2011, p. 13.

2010

“Haegue Yang”, in:Misulsidae, November 2010, p. 63 (Kor.).

“Haegue Yang”,ArtAsiaPacific, November-December 2010, p. 130

Choi, Binna, “Interview with Haegue Yang”, in:Conversation Pieces: If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Winter 2010/2011.

Choi, Jini, “Conceptual art takes aim at viewer’s emotions”, in:Space, November 2010, pp. 112-117 (Kor.). 

Finkel, Jori, “Bringing storage to the spotlight”, in:Art News, March 2010, pp. 66-69.

Faguet, Michèle, “Questions of style”, in:Artforum International, September 2010, pp. 266.

Han, Hyunjeong, “The subjectivity that life as a stranger bears”, in:Weekly Kyunghyang, September 14, 2010 (Kor.). 

Kim, Jiwon, “Couches and beds know what humans are”, in:Hankook Ilbo, July 19, 2010 (Kor.). 

Kim, Jiwon, “Light, wind, scent and voice simultaneously stimulate our senses”, in:The Korea Economic Daily, August 23, 2010 (Kor.). 

Kee, Joan, “Haegue Yang: Walker Art Center, Minneapolis”, in:Artforum International, April 2010, p. 191.

Kim, Kyoung Eun, “Voice, light, temperature and wind address our senses”, in:The Chosunilbo Daily,August 24, 2010, (Kor.). 

Koh, Doohyun, “My work will die out once it will try to please the public… yet believe in eventual communication”, in:The Korea Economic Daily, July 31, 2010, (Kor.).

Lee, Dae-bum, “Voices of individual subjects”, in:Space, November 2010, pp. 110-111 (Kor.).

Lee, Kwanghyun, “Conversations with the material are crucial”, in:The Kukmin Daily, August 21, 2010 (Kor.).

Lee, Soon-Nyeo, “Haegue Yang’s installation works in Voice Over Three: Message of life, consisting of ordinary everyday objects such as cables, drying racks, mirrors”, in:The Seoul Daily Newspaper, August 23, 2010 (Kor.). 

Lee, Sunyoung, “Events among art, products and objects”, in:Contemporary Art, Winter 2010 (Kor.), pp. 76-79.

Lim, Young-Joo, “Berlin based artist Haegue Yang’s solo show Voice Over Three: awakening the senses in an interaction between viewers and works”, in:The Kyunghyang Daily News, August 27, 2010 (Kor.).

Moon, So-young, “Sound, color collide in exhibit joining artist, audience”, in:JoongAng Daily, August 25, 2010. 

Park, Woojin, “An obsessive translation of nomadism”, in:Weekly Hankook, September 7, 2010 (Kor.).

Pyeon, Wan-shik, “Art sinks into ‘the ocean of stories‘“, in:The Segye Times, August 24, 2010 (Kor.). 

Rawlings, Ashley, “Five plus one: Haegue Yang”,ArtAsiaPacific Almanac2010, p. 70.

Roh, Hyungseok, “Haegue Yang at Art Basel-Unlimited – Pleased to be accepted despite the unfamiliarity”, in:The Hankyoreh, June 18, 2010 (Kor.). 

Roh, Hyngseok, “A ‘microcosm opened through a nomadic sensitivity – Images of nomadism contained in Korean and German urban landscapes”, in:The Hankyoreh, September 8, 2010 (Kor.).

Scuderi, Massimiliano, “Haegue Yang: Composizioni Vulnerabili”, in:Arte e Critica, No. 62, March-May 2010, pp. 54-57.

Seo, Hyunseok, “Ethnography for a site-specific identity”, in:Art in Culture, October 2010, pp. 78-82 (Kor.). 

Shin, Semi, “‘Seoul Guts‘, conveyed by light bulbs hung from clothing racks”, in:Munhwa Ilbo, August 24, 2010 (Kor.).

Soutar, Ian, “Uneasy world of Haegue Yang”, in:Sheffield Telgraph, April 22, 2010.

Yoo, Joohyun, “Duras, ambiguous and never compromising author, to whom an affinity is felt”, in:JoongAng Sunday, August 29-30, 2010 (Kor.). 

2009

“Haegue Yang at Venice Biennale”, in:Art in Culture, June 2009 (Kor.).

“The Korean Pavilion at the Venice Biennale is this year in the hands of two women”, in:Monthly Art Magazine, No. 288, January 2009, p. 156 (Kor.).

Boecker, Susanne and Michael Hübl, “Republik Korea, Südkorea: Haegue Yang – Condensation”, in:Kunstforum International, No. 198, August-September 2009, pp. 298-299.

Chang, Seungyeon, “Dialogue is the basis for the preparations for Korean Pavilion”, in:Art in Culture,January 2009, pp. 38-40 (Kor.). 

Chong, Doryun, “Haegue Yang: A written introduction of self-quotations and free associations”, in:Monthly Art, September 2009, pp. 114-125 (Kor.). 

Garcia, Cathy Rose A, “Yang Hae-gue to present work at Venice”, in:The Korea Times, May 19, 2009.

Han, Yunjeong, “The condensation of differences and barriers is dissolved into the work”, in:The Kyunghyang Daily News, 5. June 5, 2009 (Kor.).

Han, Yunjeong, “Making ‘new‘ Worlds focus on Korean artists”, in:The Kyunghyang Daily News, June 5, 2009 (Kor.).

Haq, Nav, “Universal Homeless: interview with Haegue Yang”, in:Concept Store, No. 2: Possible, Probable and Preferable Futures, ed. by Geoff Cox, Nav Haq and Tom Trevor, Autumn 2009.

Hinrichsen, Jens, “Die Konzeptkünstlerin Haegue Yang liebt Jalousien – auf Englisch, Venetian Blinds”, in:Monopol, No. 6, June 2009, pp. 56-57.

Hoog, Eckhard, “Pop UP! Wie Blüten soll die Kunst aufblühen”, in:Aachener Zeitung, April 2, 2009.

Jeong, Hyungmo, “Haegue Yang speaks for Korea through light, sound and scent”, in:JoongAng Ilbo, June 6, 2009 (Kor.). 

Kang, Insun, “I see life every time I arrive in Ahyun-dong”, in:The Chosunilbo Daily, March 7, 2009 (Kor.).

Kim, Clara, “Vulnerability for an exploration”, in:Art in Asia, May-June 2009, pp. 44-45.

Kim, Hokyung, “Traces of nameless neighbors”, in:The Kukmin Daily, June 6, 2009 (Kor.).

Kim, Jihee, “Works placed behind the glass façade, leaving it as it is”, in:The Segye Times, June 6, 2009 (Kor.). 

Kim, Jiwon, “Changing lights become part of the piece, overcoming spatial restrictions”, in:Hankook Ilbo, June 6, 2009 (Kor.).

Kim, Sunjung, “This ‘neo-nomad‘ has the whole world as her stage”,JoongAng Ilbo, March 9, 2009, pp. 56-57 (Kor.).

Masters, HG, “Haegue Yang: a strange kind of optimism”, in:ArtAsiaPacific, No. 63, May-June 2009, pp. 108-113.

Moon, Soyoung, “Condensed spaces speak of communication”, in:The Seoul Shinmun, June 6, 2009 (Kor.). 

Raymond, Yasmil, “Haegue Yang”, in:Domus, No. 922, February 2009, pp. 124-128.

Seungyeon Jang, “Communication is the basis, preparing the exhibition at the Korean Pavilion”, in:Art in Culture, January 2009, pp. 38-40 (Kor.).

West, Kevin, “Haegue Yang”, in:W Magazine, November 2009.

Whitman-Salkin, Leah, “Haegue Yang: meeting in the middle”, in:Kaleidoscope, November-December 2009, p. 38.

Woo, Jung-Ah, “Haegue Yang: in pursuit of a marginal space”, in:C-Arts, vol. 9, July-August 2009, pp. 18-20.

2008

Berro, Irune, “Mugan, erretratu abstrktuak”, in:Berria, December 19, 2008. 

Chong, Doryun, “Working practice: a different slant of light”, in:Modern Painters, No. 9, September 2008, pp. 58-59.

Gronlund, Melissa, “Haegue Yang: Lethal Love”, in:Art Monthly, No. 315, April 2008, pp. 29-30.

Heffley, Lynne, “Artist Haegue Yang at Redcat”, in:Los Angeles Time, July 16, 2008.

Hernández, Edgar, “La posibilidad de nuevos mundos”, in:Excelsior, April 25, 2008.

Kim, Jiwon, “Women predominate Korean Pavilion, Venice: interview with Haegue Yang and Eungie Joo”, in:Hankook Ilbo, December 24, 2008 (Kor.).

Kim, Soohye, “Loneliness and isolation are the basis of my work”, in:The Chosunilbo Daily, December 24, 2008 (Kor.).

Koh, Misuk, “A stranger’s solitude is the basis of my work”, in:Dong-A Ilbo,  December 24, 2008 (Kor.).

Krause-Wahl, Antje, “Beziehungskisten”, in:Texte zur Kunst, No. 71, September 2008, pp. 220-221.

Kwon, Geunyoung, “The ‘nomad artist‘ enters Venice Biennale”, in:JoongAng Ilbo, December 24, 2008 (Kor.).

Lamparth, Birgitta, “Alice wird im Briefraum verlassen”, in:Wiesbadener Tagblatt, March 1, 2008.

Lim, Jong-up, “Everyone is full of sorrow, leading to their understanding of each other”, in:The Hankyoreh, December 24, 2008 (Kor.).

Medina, Cuauhtémoc, “Turista de tiempo completo”, in:Reforma, April 30, 2008.

Micucci, Dana, “Carnegie Museum, in Pittsburgh, shows contemporary art’s ‘old masters of tomorrow‘“, in:Herald Tribune, May 30, 2008.

Milliart, Coline, “Haegue Yang: Cubitt”, in:Modern Painters, May 20, 2008, p. 93.

Min, Byungkyo, “Sensitive criticism included in an unusual familiarity: interview with Haegue Yang”, in:Artrade, January 2008, Vol. 02, pp. 100-103 (Kor.).

Moreno, Concepción, “Mundos nuevos, mundos diversos”, in:El Economista, April 25, 2008.

Mummenhof, Julia, “Am Ende kommen die Touristen”, in:Szene Hamburg, No. 2, Februar 2008, p. 67.

Park, Min-young, “Yang Haegue to represent Korea in Venice”, in:The Korea Herald, December 31, 2008.

Pethick, Emily, “Anyang Public Art Project”, in:Frieze, No. 112, January-February 2008, pp. 177-178.

De la Rosa, Tamara, “Inventores de nuevos espacios”, in:Deia, December 19, 2008. 

Schütte, Christoph, “Der Lücke eine Form geben”, in:Art Kaleidoscope, April-June 2008, pp. 14-16.

Schütte, Christoph, “Beziehungsmuster”, in:Frankfurter Allgemeine Sonntagszeitung, May, 2008. 

Schütte, Christoph, “Zeitliches Obdach gesucht”, in:Frankfurter Allgemeine Zeitung, April 9, 2008.

Yun, Minyong, “We will focus on revealing the variety of Korean artists’ activity”, in:The Kyunghyang Daily News,  December 24, 2008 (Kor.).

2007

Behm, Meike, “Haegue Yang”, in:Artist Kunstmagazin, No. 73, April 2007, pp. 28-33.

Chong, Doryun, “Eco-Motion: interview with Haegue Yang”, in:Uovo, No. 14, July-September 2007, pp. 194-219.

Fox, Dan, “Imagine Action”, in:Frieze, No. 110, October 2007, pp. 177-178.

Kim, Seung-duk, “Focus South Korea: changing times”, in:Flash Art, No. 255, July-September 2007, pp. 90-94.

Mania, Astrid, “Haegue Yang: Remote Room”, in:Art Review, No. 14, September 2007, p. 132.

Marzluf, Arnulf, “Zeichen und Zeichnungen unserer Zeit”, in:Weser-Kurier, April 14, 2007.

Rieger, Birgit,  “Frei unter Fremden”, in:Zitty, September 2007, p. 50.

Schlaegel, Andreas, “Unpacking Storage Piece”, in:Spike Art Quarterly, No. 14, Winter 2007, pp. 103-104.

Voltz, Aurélie, “Haegue Yang: Remote Room”, in:Flash Art, No. 255, July-September 2007, p. 129.

2006

Hwang, You-mee, “Neither here nor there: artists reflect on ‘non-place’”, in:The Korea Herald, July 15, 2006.

Kim, Hyunjin, “Community of people who have not the community”, in:Art in Culture, June 2006, p. 73 (Kor.).

Kim, Jangun, “Delays in life”, in:Art in Culture, October 2006, pp. 77-79 (Kor.).

Roh, Hyungsuk, “Deserted house: memory’s space captured in time”, in:The Hankyoreh, August 22, 2006 (Kor.).

Oh, Mihwan, “Solo exhibition of Haegue Yang: extraordinary exhibition in a deserted house”, in:The Korea Times, August 20, 2006.

Pethick, Emily, “Fog machines, scent dispensers, and origami: sci-fi tower blocks and urban detritus”, in:Frieze, No. 103, November-December 2006, p. 144.

Schlaegel, Andreas, “Neue Berliner Funky – Combining sculptural vocation with subversive conceptual strategies”, in:Flash Art, March-April 2006, pp. 72-76.

2005

Choi, Binna, “‘Kasse, Shop, Kino and Weiteres’ at Landesmuseum in Darmstadt: sentimental road movie, resembles social contemplation”, in:Art in Culture, March 2005, pp. 134-135 (Kor.).

Danicke, Sandra, “Haegue Yang”, in:Art Kaleidoscope, May-August 2005, pp. 6-9.

Löchel, Tanja, “Aufgemalte Bärte und Brillen für willige Besucher”, in:Gießener Anzeiger, April 5, 2005.

Werneburg, Brigitte, “Kindersprüche und Katzenmassaker”, in:die tageszeitung, October 1, 2005.

2004

Hohmann, Silke, “Orientierung: Haegue Yang’s ordnende Eingriffe im Landesmuseum Darmstadt”, in:Frankfurter Rundschau, October 27, 2004.

Joohyun Lee, “Open nomads, separately and together”, in:The Hankyoreh21, April 26, 2004, pp. 54-55 (Kor.).  

Kim, Hyunjin, “An allegory of Relational Irrelevance”, in:Art in Culture, No. 5, May 2004, p. 120 (Kor.).

Kim, Jangun, “Art, society, and context: interview with Haegue Yang”, in:Forum A, July 2004, pp. 15-21. (Kor.)

Kim, Jangun, “Accidental rhetoric and beyond it”, in:Space, May 2004, pp. 178-185.

Krämer-Alig, Annette, “Ich biete Momente an”, in:Darmstädter Echo, October 2004, p. 9.

Kuni, Verena, “Füsse im Dreck, Kopf im Himmel: Haegue Yangs produktiver Umgang mit Missverständnissen”, in:Kunst-Bulletin, No. 5, May 2004, pp. 28-31.

Verhagen, Marcus, “Haegue Yang: Storage Piece”, in:Future, Summer 2004, p. 4.

Yoo, Jinsang, “Fiction, people who have departed and people who have not departed yet”, in:Art in Culture, No. 5, November 2004, pp. 52-53 (Kor.).

Yoo, Jinsang, “Chasm, it fell into the chasm of metatext”, in:Art in Culture, No. 5, September 2004, pp. 70-74 (Kor.).

2003

Baek, Jisook, “Approaching the center: understanding and misunderstanding”, in:Art in Culture, No. 4, October 2003, pp. 100-105 (Kor.).

Birnbaum, Daniel, “First take: Daniel Birnbaum on Haegue Yang”, in:Artforum International, No. 41, January 2003, p. 123.

Kim, Hyunjin, “Interview with Haegue Yang”, in:Monthly Vampire, 2003, pp. 11-21.

2002

Lee, Youngjun, “Blink as not a blink and its negation and dislocation”, in:Art in Culture, No. 3, April 2002, pp. 62-65 (Kor.).

2001

Bogenschütz, Dorothee Baer, “Auch die BBC inspiriert”, in:Frankfurter Rundschau, December 21, 2001.

Danicke, Sandra, “Abenteuer-Möbel”, in:Frankfurter Rundschau, August 11, 2001.

Klaue, Magnus, “Der Straßenrand als Biotop”, in:Frankfurter Allgemeine Zeitung, December 31, 2001.

Klaue, Magnus, “Was wir gerne zu Hause hätten”, in:Frankfurter Allgemeine Zeitung, December 10, 2001. 

Krämer-Alig, Annette, “Kunst zwischen den Kulturen”, in:Darmstädter Echo, January 2001, p. 29.

Scherer, Sigrid, “Zertrümmertes Hotelzimmer und filigrane Linien”, in:Frankfurter Allgemeine Zeitung Kultur, February 24, 2001.

Press Web 

2011

“Arrivals: Haegue Yang’s solo exhibition in Kunsthaus Bregenz”, on:The Herald Business, January 18, 2011 (Kor.). 

Yoon, Younghwan, “Haegue Yang, first solo show in Austria”, on:ajnews.co.kr, The Asia Business, January 12, 2011 (kor.)

Hwang, Hee-kyung, “Haegue Yang opens her solo exhibition at Kunsthaus Bregenz, Austria”, on:Yonhap News Agency, January 7, 2011 (Kor.).

Hwang, Hee-kyung, “Haegue Yang, another significant artistic leap”, in:Yonhap News Agency, January 2, 2011 (Kor.). 

2010

Lee, Young-ran, “Artist Haegue Yang holds her solo show at New Museum, NY”, on:The Herald Business, 25 October 25, 2010 (Kor.).

“Haegue Yang: “Voice Over Three”, on:art-it.asia, October 18, 2010 (Jap.).

Han, Yunjeong, “The subjectivity that the life as a stranger bears”, on:The Kyunghyang Daily News, September 16, 2010 (Kor.).

Hwang, Hee-kyung, “Haegue Yang: ‘Aunty Venice’ in Seoul”, on:Yonhap News Agency, August 20, 2010 (Kor.).

Yoo, Sangwoo, “Showing the very Haegue Yang: Voice Over Three”, on:NEWSIS, August 20, 2010 (Kor.).

Amdam, Peter, “Mot en mindre gemetri”, on:kunstkritikk.no, May 28, 2010.

2008

Mizota, Sharon, “Haegue Yang”, on:artforum.com, July 31, 2008.

“Haegue Yang, Siblings and Twins: Portikus Frankfurt”,artsite.tv, May, 2008.

Bonacina, Andrew, “Lethal Love”, on:afterall.org, April 15, 2008.

Menezes, Caroline, “Artists imagine action to stimulate change”, on:studio-international.co.uk, October