2010

Hope! Une exposition d’art contemporain sur l’espoir, Palais des Arts , Dinard 2010, France,

2004

Ici. ed. Steildl Publishers & Paris Musées, 2004.

2012

“Vieques Videos 2003-2011,” Mousse magazine, January 9, 2012. 

Rajesh Punj. “Allora & Calzadilla, Lisson - London,” Flash Art N°283, March-April 2012. 

J.J.Charlesworth. “A critic chastises artists for running headless and scared from the real issues,” 

Art Review, January-February 2012.

2011

Anonyme, "GLORIA, Allora & Calzadilla", Indianapolis Museum of Art, 2011.

Collectif, "Jennifer Allora & Guillermo Calzadilla", Aux Tuileries, 2011. 

J. B-H, "Jennifer Allora & Guillermo Calzadilla", Les Echos, 21 octobre 2011. 

Chong Cuy, Sofia Hernandez. "Part Of The Process. Gloria." Mousse #29, Summer 2011.

Yablonsky, Linda, "Jennifer Allora and Guillermo Calzadilla", Interviewmagazine.com, 2011.

Acevedo-Yates, Carla, "Ironing a Camel's Hump", Artpulse, Summer 2011.

Helen Stoilas, “The hell that is the Venice Biennale”, The Art Newspaper, March 2011.

Barry, Collen. “ Venice Biennale explores artistic freedom”. in:Washington Examiner.com, June 8, 2011.

Smith, Roberta. “ Venice Biennale: An Installation Art Contest”. in: The New York Times, June 1th, 2011.

Vogel, Carol. “Athletes to Bring Life to Venice Biennale”.The New Times, March 3, 2011.

“Art as a political game”.The Economist, Jun 9th 2011.

Loos, Ted. “ A Curator With a Penchant for the Collective”. in :The New York Times, March 16, 2011.

Ricard Lacayo, “Venice Biennale”, Time, May 2011.

Molly Finnegan, “U.S. Athletes are part of the Art at Venice Biennale”, PBS Newshour, June 2011.

Carol Vogel, “Venice Biennale: Money talks, Make that sings’, The New York Times, June 2011.

Benjamin Sutton, « America’s Allora & Calzadilla Competition at Venice Biennale», The L Magazine, June 2011.

Jackie Wullschlager, “Breadth in Venice”, Financial Times, June 2011.

Lucy Hogg, “At Venice Biennale, U.S. Pavillon somersaults into play”, The Daily Beast, May 2011.

Andrew M. Goldstein & Andrew Russeth, “ The United States picks Allora & Calzadilla for the 54th Venice Biennale”, ARTINFO.com, June 2011.

Harris, Gareth. “Artists get political for Venice Biennale 2011”.The Art Newspaper, June 2, 2011.

Livesay, Christopher. “Art As ‘Smart Power’ At The Venice Biennale”.NPR, June 2, 2011.

Hoppe, David. “ IMA represents USA at Venice Biennale”. in :Nuvo, May 2011.

Saltz, Jerry. “ Venice Biennale 2011 : THE UGLY AMERICAN”. Artnet, June 2, 2011.

Goldstein, Andrew M. “ Bound for Glory: Cavorting Athletes and Oblique Politics at the Debut of Allora & Calzadilla’s U.S. Pavilion in Venice”. in:Artinfo, June 2, 2011

Goldstein, Andrew M. “Gymnasts and Art-World MVPs Turn Out for the Indianapolis Museum’s Lavish U.S. Pavilion Party in Venice”. in :ARTINFO, June 1, 2011.

Andrew M. Goldstein. “Southern Heat: Five Latin American Artists to Watch at the Venice Biennale”,Artinfo, May 31, 2011.

Carol Vogel, “Pushing the limits in Venice”,International Herald Tribune, May 14-15, 2011.

Vogel, Carol. “ War Machines (With Gymnasts)”.The New York Times,May 12, 2011.

Rodenbeck, Judith. “ Pavillons Nationaux : États-Unis Jennifer Allora & Guillermo Calzadilla”.Artpress supplément Venice 2011, Juin 2011.

2010

The Wall Street Journal. « Artist pair from Puerto Rico represent U.S. in Venice Biennal ». September 7,

2010.

Vogel, Carol. « Art team represents U.S. at Venice Biennale » The New York Times, Arts Beat, The culture

at Large. September 7, 2010.

Dubly, Sixtine. “Notre Top 10 des jeunes artistes.” Ideat: pp. 258-262. March/April 2010.

2009

Herbert, Martin. “Now See This.” Art Review Dec. 2009.

Wiley, Chris. “The Party is over.” Kaleidoscope Mar.-Apr. 2009.

Schambelan, Elizabeth. “Being There.” Artforum Jan. 2009.

2008

Rathgeber, Prikko. “Allora & Calzadilla.” Flash Art Oct. 2008.

De Ruiter, Marinus. “Allora & Calzadilla.” The Wire Sep. 2008.

McDonough, Tom. “Use What Sinks: Allora & Calzadilla.” Art in America Jan. 2008.

Andrews, Max. “El arte después de la ecología.” ART&Co Winter 2008.

Smolik, Noemi. “Allora & Calzadilla, Haus der kunst/Kunstverein.” Artforum Oct. 2008.

Zolghadr, Tirdad. “Display Tactics, Curatorial Takes on the Invasion of Iraq.” Modern Painters Apr. 2008.

Goetz, Joachim. “Musik als Waffe.” Straubinger Tagblatt, June 20 2008.

Sachs, Brita. “Die Hymnen des Feides.” Frankfurter Allemeine Zeitung, June 16 2008.

Schütz, Heinz. “Allora & Clzadilla.” Kunstforum, 2008.

“Krieg und Lieder.” Süddeutsche Zeitung Samstag, 15 June 2008.

“Freude schöner Götterfunken.” SZ Extra Ausstellungen, 13 June 2008.

Karcher, Eva. “Krieg und Lieder.” Süddeutsche Zeitung, June 11 2008.

Borcherdt, Gesine. “Pre View.” Monopol n°6, June 1 2008.

De Righi, Roberta. “Es schallt von Jericho bis nach Guantanamo.” Abendzeitung, 13 June 2008.

“Allora & Calzadilla.” Verlag der Buchhandlung Walther König, Fall 2008.

Montornés, Frederic. “En el salón de tu casa.” ART&Co, Fall 2008.

2007

Arriola, Magali. “Otra de vaqueros.” Spike, Dec. 2007.

“Art & Market, Allora & Calzadilla.” Tema Celeste, Spring 2007.

Mansoor, Jalee, Yates Mckee, Patricia Falgueres, and Hamza Walker. “Collaborations: Allora & Calzadilla.”

Parkett, Fall 2007.

Santacatterina, Stella. “Allora & Calzadilla, A Lateral Gaze on the Real.” Portfolio, June 2007.

Hernandez, Sofia, and Chong Cuy. “Musica Marcial.” Arte al Dia, 2007.

Charlesworth, J.J. “Allora & Calzadilla, Power Plays.” Art Review, Oct. 2007.

Morgan, Jessica. “Top Five : What to see this month.” Art Review, June 2007.

Wei, Lilly, “Light Fantastic.”Art in America, Sep. 2007.

O’Reilly, Sally. “Trumpets and Turtles.” Frieze, June-Aug. 2007.

Feldman, Hannah. “Sound Tracks.” Artforum, May 2007.

Clark, Tamsin. “Jennifer Allora & Guillermo Calzadilla @ Whitechapel.” Whitehot, Apr. 2007.

Duponchelle, Valérie, and Béatrice de Rochebouët. “La Biennale de Lyon reflète notre époque caméléon.”

Le Figaro, 21 Sep. 2007.

Schindler, Felli. “Allora & Calzadilla In der Kunsthalle.” Tages Anzeiger, 5 June 2007.

Debailleux, Henri François. “Dans les cases à Lyon.” Libération, 20 Sep. 2007.

Ruf, Beatrix. “Allora & Calzadilla.” Monopol, Jan. 2007.

Bugmann, Urs. “Kunst erklärt dem Krieg den Krieg.” Neue Luzerner Zeitung, 18 July 2007.

Sardo, Delfim. “Land Mark (Foot Prints), set 2, #VII.” Unica, 7 July 2007.

Sheets, Hilarie M.. “Waves of Light.” Artnews, Mar. 2007.

González, Julieta. “Triennial.” ArtNexus, 2007.

Clintberg, Mark. “Art 38 Basel.” Arte al Dia, Aug.-Sep. 2007.

Campbell-Johnston. “Oh! What a lively war.” The Times, 10 Apr. 2007.

“Jennifer Allora & Guillermo Calzadilla in der Kunsthalle.” Kunst-Bulletin, 6 July 2007.

Steiner, Urs. “Schmetternde Trompeten, knatternde Motoren.” Neue Zürcher Zeitung, 23 June 2007.

Turner, Elisa. “New Light, classic themes.” Miami Herald, 4 Feb. 2007.

2006

B. Korotkin, Joyce. “Outside the box.” ArtReview, Jan. 2006.

Spiegler, Marc. “Allora & Calzadilla: Sonic Warfare.” The Art Newspaper, 7 Dec. 2006.

Vergne, Philippe. (Calzadilla only) “Entre les lignes.” Hors série Beaux Arts magazine, 2006.

Morrison, Ian. “Love Fest.” Afterimage, Mar.-Apr. 2006.

Bailly, Bérénice. “La jungle aux mille formes.” Le Monde, 2006.

“Paroles d’artistes.” Le Journal des Arts, June 2006.Moulène, Claire. “Le Paradis c’est l’enfer.” Les Inrockuptibles, June 2006.

“Programme Tropico-Vegetal.” Sortir à Paris, June 2006.

Le Querrec, Perrine. “Territoires occupés, Tropico-Végétal. Au Palais de Tokyo.” Bulbe.com July 2006.

“In mostra al Palais de Tokyo.” Il Manifesto, Aug. 2006.

Boukobza, Julie. “A l’ombre des palmiers.” L’officiel de la couture et de mode à Paris, June-July 2006.

Cirauqui, Manuel. “Reading the territory.” Lapiz, 2006.

Burnham, Clint. “Staking out new territory.” The Vancouver sun, 10 June 2006.

MacPhee, Erin. “Urban territory brings art to the people.” North Shore News, 9 June 2006.

Laurence, Robin. “Territory maps urban experience.” Free volume, July 2006.

“Territory investigating the urban experience.” Arts Alive on the north shore, July-Aug. 2006.

Richard, Paul. “Aglow With The Old.” The Washington Post, 27 Sep. 2006.

Roberts-Pullen, Paulette. “Light-Bulb Moment.” Style, Sep. 2006.

Champenois, Michèle. “Dans la jungle de l’Art.” Le Monde2, June 2006.

Cruger, George. “Artificial Light.” dArt International Fall, 2006.

Bailly, Bérénice. “La jungle aux mille formes du Palais de Tokyo.” Le Monde, 30-31 July 2006.

Riou, Frédéric. “L’art cet été : Tour de France de nos expos préférées.” Contemporain(s), June-Aug. 2006.

Peker, Julia. “Lieu d’art.” PARISart, June-July 2006.

“Jennifer Allora & Guillermo Calzadilla.” Gogo, Paris June 2006.

“Questionnaire.” Frieze, Jan.Feb. 2006.

Richard, Paul. “Aglow With The Old.” The Washington Post, 27 Sep. 2006.

“Artificial Light, at the Right Comfort Level.” The Washington Post, 27 Sep. 2006.

2005

Bonnet, Frédéric. “A deux têtes ou à quatre mains.” Le Journal des Arts, 7 Oct. 2005.

McKee, Yates. “Allora & Calzadilla, The Monstrous Dimension of Art.” Flash Art, Jan.-Feb. 2005.

Cubiñá, Silvia Karman. “Allora & Calzadilla’s Floors.” Artnexus, Jan.-Mar. 2005.

“Allora and Calzadilla, Talk about three pieces in vieques.” Artforum, Mar. 2005.

Interview. Artforum, Summer 2005.

“Allora/Calzadilla.” Art Investor, 2005.

Zolghadr, Tirdad. “Venice Biennale 2005.” Frieze, Sep. 2005.

2004

Mascina, Audrey. “Lima (Pérou), Petite leçon d’expression libre.” Modaik, Mar.-Apr. 2004.

“L’oeil des Caraïbes.” Le Monde, 17 Apr. 2004.

McKee, Yates. “Allora & Calzadilla : (En)Tropics.” 2004.

Land Mark, Palais de Tokyo, site de création contemporaine, Paris Musées, 2006.

Allora &Calzadilla, Americas Society, NYC, USA 2005.

Common Sense?, ICA Boston, USA, 2004.

2011
Pedro Alonzo and Alain Bieber, Political Art, Gestalten and D.A.P.
Slavick, Susanne. Out of Rubble, Edizioni CHARTA.
Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship, Verso. (spring-2011)
Laura Hoptman, Yilmaz Dziewior y Uta Grosenick. The Art of Tomorrow, DISTANZ. (jun-2011)
Adler, Phoebe. Contemporary Art in North America, Black Dog Publishing.

2010
The Art of Tomorrow, published by Distanz Verlag, Berlin.

2007
Infinite Island, Contemporary carribean art, Brooklyn Museum, edited by Tumelo Mosaka, Philip Wilson Publishers.
Ice Cream, London: Phaidon, 2007. Text by Shamim M. Momin.

2006
“Chalk (New York/ Lima/ Paris), 1998-2006”,
Art Contemporain et Lien Social, Claire Moulène, coll. Imaginaire Mode d’Emploi, ed. Cercle d’Art.
L’Expérience de la durée, sous la direction de T. Raspail et G. Wormser, Biennale Art contemporain 2005, Lyon.
Hugo Boss Prize 2006, Guggenheim Museum, 2006.
Whitney Biennial 2006 : Day for Night, Whitney Museum, 2006.
InSITE_05, inSITE, 2006.

2005
Daphne Vitali. The Gesture. A Visual Library in Progress, Firenze: Artout-Maschietto, 2005.
Lyon Biennale,2005.
Monuments to the USA, CCA Wattis Institute, 2005.
Uncertain States of America, Astrup Fearly Museum, Oslo 2005.
Material Time/Work Time/Life Time, Reykavik Arts Festival, 2005.
Smith, Stephanie. Beyond Green: Towards a Sustainable Art. Chicago: Smart Museum of Art at the University of Chicago, 2005.
La sindrome di Pantagruel T1 Triennale Tremusei, Skira 2005.

2004
Gwangju Biennial, 2004.
Ailleurs, Ici. ARC-Musée d’art Moderne de la Ville de Paris, 2004.
Irreducible : Contemporary Short Form Video, CCA Wattis Institute, 2004.

2003
Only Skin Deep: Changing Visions of the American Self, International Center for Photography, 2003.
McKinlay, Sophie. Common Wealth. London: Tate Modern, 2003.
How Latitudes Become Forms: Art in A Global Age, Walker Arts Center, Minneapolis, MN 2003.
Barragán, Paco. The Art To Come, Subastas Siglo XXI. Grupo Subastas, Madrid 2003.

2002
III Bienal Iberoamericana, Casa Rimac, Lima, Peru. 2002.
FAIR, Royal College of Art, London, UK 2002.

2000
VII Bienal de la Habana, Centro Wilfredo Lam, Havana, Cuba. 2000.
Away From Home, Wexner Center for the Arts, The Ohio State University, Columbus, OH 2000.
PR’00 (Parentesis en la Cuidad), M&M Proyectos y El Museo de Arte de Puerto Rico, San Juan,Puerto Rico.
The S-Files, El Museo del Barrio, New York, NY 2000.

1998
Caribe: Exclusión, Fragmentación, y Paraiso. MEIAC; Badajoz, Spain 1998.
Puerto Rico, Rico Puerto, Que Puerto. Instituto de America, Santa Fe, Spain 1998.
XXIV Bienal de Sao Paulo, 1998.