Galerie Chantal Crousel

Mona Hatoum

Born in 1952 in Beirut, Lebanon.
Lives and works in London, England.

Education (show/hide)

Awards (show/hide)

Solo exhibitions (show/hide)

2012
Juan Miro Fundacion, Barcelona, Spain.

2011
Bourj, Alexander and Bonin, New York, U.S.A.
Bunker, White Cube Mason's Yard, London, U.K.

2010
Galerie Chantal Crousel, Paris, France.
Beiruth Art Center, Beirut, Lebanon.
MAC/VAL, Vitry-sur-Seine, France.
Fondacion Marcelo Botin, Santander, Spain.

2009
Natura morta, Fondazione Merz, Venice, Italy.
Alexander & Bonin, New York, U.S.A.
Measures of Entanglement, Ullens Center for Contemporary Art, Beijing, China.
Interior landscape, Fondazione Querini Stampalia, Venice, Italy.
Collected works: 1989-2009, Rennie Collection, Vancouver, Canada.

2008
Parasol unit Fondation for Contempory Art, London, U.K.
Galerie Chantal Crousel, Paris, France.
Biennale Donna, Ferrara, Italy.
Galerie Max Hetzler Temporary, Berlin, Germany.
Hanging Garden, DAAD Galerie, Berlin, Germany.
Darat al funun, Amman, Jordanie.

2006
Galerie Max Hetzler, Berlin, Germany.
Galleria Continua, San Gimignano, Italy.
Hot Spot, White Cube Mason’s Yard, London, U.K.
Kairotic, Townhouse Gallery, Cairo, Egypt.

2005
Over My Dead Body, Museum of Contemporary Art, Sydney, Australia.
Galerie René Blouin, Montréal, Canada.
Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Via Modane 16, Torino, Italy.
Mobile Home, Alexander and Bonin, New York, U.S.A.
Douglas F. Cooley Memorial Art Gallery Reed College, Portland, U.S.A.

2004
Over my Body, Kunsthalle, Hamburg, Germany.
Kunst Museum, Bonn, Germany.
Magasin 3, Kunsthalle, Stockholm, Sweden.
Rene Blouin, Montreal, Canada.

2003
Museo de Arte Contemporaneo de Oaxaca, Mexico.

2002
Mona Hatoum, Alexander and Bonin, New York, U.S.A.
Mona Hatoum, A Major Survey Exhibition, Centro Gallego de Arte Contemporanea, Santiago de Compostela, Spain.
Mona Hatoum, A Major Survey Exhibition, Centro de Arte de Salamanca, Spain.
Grater Divide, White Cube, London, U.K.

2001
Mona Hatoum, Recent Work, Mass MOCA, Massachusetts, U.S.A.
Images from elsewhere, fig-1, London, U.K.

2000
Le Collège, Frac Champagne-Ardennes, Reims, France.
Tate Gallery, London, U.K.
Museum van Hedendaagse Kunst Antwerpen, Belgium.

1999
The Box, Turino, Italy.
Le Creux de l’enfer, Thiers, France.
Alexander and Bonin, New York, U.S.A.

1998
Museum of Modern Art, Oxford and the Scottish National Gallery, Edinburgh, U.K.
Kunsthalle Basel, Basel, Swizterland

1997
Museum of Contemporary Art, Chicago, U.S.A.
Galerie René Blouin, Montréal, Canada.
The New Museum of Contemporary Art, New York, U.S.A.
Newlyn Art Gallery / Cornwall, U.K.

1996
Gallery Anadiel, Jérusalem, Israël.
The Fabric Workshop and Museum, Philadelphia, U.S.A.
Current disturbance, Capp Street Project, San Fransisco, U.S.A.
Quarters, Via Farini, Milan, Italy & De Appel, Amsterdam, Netherlands.

1995
White Cube, London, U.K.
The British School At Roma, Italy.
Short Space, Galerie Chantal Crousel, Paris, France.

1994
Galerie René Blouin, Montréal, Canada.
Centre Georges Pompidou, Paris, France.
CRG Gallery, New York, U.S.A.

1993
Arnolfini, Bristol, Wales, U.K.
Mona Hatoum (and Andrea Fisher), South London Gallery, London, U.K.
Galerie Crousel Robelin / Bama, Paris, France.
Positionings / Transpositions, Art Gallery of Ontario, Toronto, Canada.

1992
Mario Flecha Gallery, London, U.K.
Dissected Space, Chapter, Cardiff, U.K.

1989
The Light at The End, The Showroom, London, U.K.
The Light at The End, Oboro Gallery, Montréal, Canada.

1985
Between the Lines, The Orchard Gallery, Derry (performance), U.K.

1984
The Negociating Table, The Franklin Furnance, New York (performance), U.S.A.
Variation on Discord and Divisions, ABC No Rio, New York; A.K.A., Saskatoon; The Western
Front, Vancouver; Articule, Montréal (performance), Canada.

1983
The Negociating Table, SAW Gallery; N.A.C., Ste Catherines; The Western Front, Vancouver (performance), Canada.

Selected group exhibitions (show/hide)

2011
Wander, Labyrinthine Variations, Centre Pompidou-Metz, Metz, France.
Glasstress Stockholm, curated by Adriano Berengo and Maria Wiberg, Millesgården Museum, Stockholm, Sweden.
Shaping a Collection. An Interpretation of the Fundación Botín Collection, Santander, Spain.
Disquieting Muses, Contemporary Art Center of Thessaloniki, Thessaloniki, Greece.
Dance/Draw, Institute of Contemporary Art, Boston; Grey Art Gallery at New York University; Tang Museum at Skidmore, Saratoga Springs, New York, U.S.A.
The Future of A Promise, Fondamenta della Zattere, Venice, Italy.
Face Contact, Photo Espana, Teatro Fernan Gomez, Madrid, Spain.
The Luminous Interval, Guggenheim, Bilbao, Spain.
Women War Artists, Imperial War Museum, London, U.K.
Aschemünder, Haus der Kunst, Munich, Germany.
Jean Genet, Nottingham Contemporary, Nottingham, UK.
Heroines, Musée Thyssen-Bornemisza du 8 mai 2011 au 5 juin 2011, Madrid Spain.
The State: Work from the Farook Collection, Traffic, Dubai, UAE.
Impenetrable, Palacio de Bellas Artes, Mexico City, Mexico.
L'Insoutenable légèreté de l'être, Yvon Lambert, Paris, France/New York, U.S.A.
Meeting Points 6, Locus Agonistes: Practices and Logics of the Civic, curated by Okwui Enwezor, Beirut Art Center, Beirut, Lebanon / Opera House, Damascus, Syria
CLAP, Hessel Museum of Art, New York, USA

2010
Keeping It Real Act 3: Current Disturbance, Whitechapel Art Gallery, London, U.K.
On Line: Drawing Through the Twentieth Century, MoMA, New York, U.S.A.
The New Décor, Garage Center for Contemporary Art, Moscow, Russia.
Contemporary Eye: Crossover, Pallant House Gallery, Chicester, U.K.
El Patio De Mi Casa: Contemporary Art in 16 Patios of Cordoba, Ecuador.
Kupferstichkabinett: Between Thought and Action, White Cube, London, U.K.
The New Décor, Hayward Gallery, London, U.K.
Glück Happens, Kunstpalais, Stadt Erlangen, Erlangen, Germany.
I Love You, Aarhus Kunstmuseum, Aarhus, Denmark.
The Visceral Body, Vancouver Art Gallery, Vancouver, Canada.
I Don’t Need Your Money Honey All I Need is Love, New works from the Farook Collection, Traffic gallery II, Dubai
Mona Hatoum, Stefan Kürten, Rita McBride, Alexander and Bonin, New York, U.S.A.
The Serpentine Gallery Map Marathon, Frieze Art Fair.
Witness, Beirut Art Center, Lebanon.
On Courage, Fondazione Sandretto Re Rebaudengo, Aosta, Italia.

2009
BAROCK, Art, Science, Faith and Technology in the Contemporary Age, MADRE Museo d’ Arte Contemporanea Donna Regina Napoli, Italy.
Taswir - Islamische Bildwelten und Moderne, Martin-Gropius-Bau Berlin, Berlin.
The sky within my house. Contemporary art in 16 patios of Cordoba, Spain.
History of Violence, Haifa Museum of Art, Haifa, Israël.
Twelve Travels - British Art in Sensibility and Experience, Setagaya Art Museum, Tokyo, Japan.
In A Room Anything Can Happen, Center for Curatorial Studies and Hessel Museum of Art, Bard College, NY, U.S.A.
Closer, Beirut Art Center, Beirut, Lebanon.
Off the beaten path: violence, women and art, The Stenersen Museum, Oslo, Norway.
I have a dream, Gabarron Foundation, New York, U.S.A.
The Power of Ornament, Belvedere, Vienna, Austria.
Bijoux de famille, Galerie Chantal Crousel, Paris, France.
Le Travail de rivière, Crédac, Ivry, France.
Pot Luck, The New Art Gallery, Walsall; Aberystwyth Art Centre, Wales and Pisthanger Manor Gallery & House, London, U.K.
Zonas de riesgo, CaixaForum, Madrid, Spain.
Desenhos [drawings]: a-z, Museu da Cidade, Lisboa, Portugal.
Créateurs contemporains de Palestine, Institut du Monde Arabe, Paris, France.

2008
Resilience, Galleria Continua, Le Moulin, France.
Wanas 2008: Loss, curated by Elna Svenle and Marika Wachtmeister. Wanas, Sweden.
Genesis – The Art of Creation, Zentrum Paul Klee in Bern, Switzerland.
Mapping the contemporary various venues. BB3, Bucharest Biennale 3, Being Here Bucharest, Romania.
Ekko Echo Ecco, U-Turn, Quadrennial for ContemporaryArt, Copenhagen, Denmark.
Never-Part, objets/texts/sounds/images from Palestine, Beaux Arts, Brussels, Belgium.
Martian Museum of Terrestrial Art, Barbican Art Gallery, London, U.K.
The Impossible Prison, The Police Station, Galleries of Justice, Nottingham, U.K.
Betwixt, Magasin 3, Stockholm Konsthall, Stockholm, Sweden.

2007
To be continued, Magasin 3 Stockholm Konsthall, Germany.
There is no border, Galerie im Taxispalais Austria.
The freak show, Musée d’Art Contemporain de Lyon, France.
You’ll never know: drawing and Random Interference, Hayward Gallery-London, U.K.
Live/Work: Performance into Drawing, MoMA NY, The Paul J.Sachs Drawing Galleries, U.S.A.
2move. Movimiento Doble. Estéticas Migratorias, Murcia Spain, tours to Zuiderzeemuseum
Enkhuizen, Netherlands.
Turbulence, 3rd Auckland Triennial, Auckland Art Gallery, New Zealand.
Aftershock, Contemporary British Art 1990-2006 (British Council exhibition), Capital Museum Beijing, China.
L’emprise du lieu, l’expérience Pommery #4, Domaine Pommery, Reims, France.
Timer 01-Intimitá/Intimacy, Triennale Bovisa, Milan, Italy.
Diagnosis (Art): Contemporary Art Reflecting Medicine, Museum in Kulturspeicher Würzburg, Würzburg, Germany.
STILL LIFE: Art, Ecology and the Politics of Change, 8th Sharjah Biennal, Sharjah, United Arab Emirates.
Into Me / Out of Me, MACRO Museo d’Arte Contemporanea Roma, Italy.
Envisioning Change, Nobel Peace Center, Oslo, Norway (touring to the Royal Museums of Fine Arts in Brussels; and a venue (TBD) in Chicago, U.S.A.
The Freak-Show, Musée d’Art Contemporain de Lyon, France.
Mining Glass, Museum of Glass: International Center for Contemporary Art, Tacoma Washington, U.S.A.
D’ombra, Compton Verney, Warickshire, U.K.
Capricci I (possibilities d’autres monde), Casino du Luxembourg,, Luxembourg.
Dialogues méditerranéens / Mediterranean dialogues, 2nd Cultural Summer in Saint Tropez, La Citadelles, France.
Border Jam (Southern Cone), Blanes Museum, Montévidéo, then travels to Proa Foundation
Buenos Aires: La Moneda, Palace Cultural Center Santiogo de Chile.
There is no border…, Galerie im Taxispalais, Innsbruck, Austria.
To be continued, Magasin 3 Stockholm Konsthall, Sweden.
Neue Heimat, Berlinische Galerie, Berlin, Germany.
Going Staying: Movement, Body, Place in Contemporary Art, Kunstmuseum Bonn, Germany.

2006
Aftershock, Contemporary British Art 1990-2006 (British Council exhibition) ,Museum of Art, Guangzhou, then Capital Museum, Beijing, China.
The Premio FURLA per l’Arte (6th edition), Bologna, Italy.
On Earth’s Face, Museée de Beaux-Arts de Lille, Then travels to the Haus der Kunst in Munich
Haus am Waldsee. Ort internationaler Gegenwartskunst, ‘Anstoss Berlin – Kunst macht Welt’, Berlin, Germany.
D’ombra, Papesse centro arte contemporanea, Siena, Italy.
Super Vision, Institute of Contemporary Art, Boston, U.S.A.
Mona Hatoum, Gary Hill, Karim Rashid, Townhouse Gallery, Cairo, Egypt.
Conversations = Hadith, Galerie Sfeir-Semler, Beirut, Egypt.
Into Me/Out of Me, PS1 contemporary art center, USA / KW Institute for Contemporary Art, Berlin, Germany.
Re:Location, Alexander and Bonin, New York, U.S.A.
Without Boundary: Seventeen Ways of Looking, MoMA, New York, U.S.A.
Biennale de Sydney, Australia.

2005
Always a little further, Venice Biennal, Italy.
Fairy Tales Forever, AroS Aarhus Kunstmuseum, Denmark.
Private View Colour after Klein, Barbican art gallery, London, U.K.
Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Torino, Italy.
The Gesture, A Visual library in progress, Macedonian Museum Of Contemporary Art, Thessaloniki Greece; Quarter, The New Center of Contemorary Art in Florence, Italy.
Des deux côtés du Rhin – Mouvement , Museum Ludwig, Köln, Germany.

2004
Eclipse. Towards the edge of the visible, White Cube, London, U.K.
Made in Mexico/Hecho en Mexico, ICA, Boston, U.S.A.
Beyond East & West : Seven Transnational Artists, Krannert Art Museum, Univ. Of Illinois at Urbana-Champaign; Hood Museum of Art, Darmouth College, Dartmouth ; Williams College Museum of Art, U.S.A.
Daß Große Fressen (La grosse Bouffe), Kunsthalle Bielefeld, Germany.
Infinitely Specific, Montserrat College of Art, Beverly, U.S.A.
In Movement: UNESCO Salutes Women Video Artists of the World, Hall Ségur, UNESCO Headquarters, Paris, France.
Handlungsanweisungen/Instructions, Kunsthalle Wein, Karlsplatz project space, Vienna, Austria.
Turning Points: 20th Century British sculpture, Tehran Museum of Contemporary Art, Iran.
Laocoon Devoured: Art, Politics, Violence, ARTIUM, Basque Museum of contemporary art, Vitoria-Gasteiz, Spain.
Out of Place, Galerie Nordenhake, Berlin, Germany.
Transcultures, EMST-National Museum of Contemporary Art, Athens, Greece.
The Gallery Selects…, Alexander & Bonin, New York, U.S.A.
Eclipse, Towards the edge of the visible, White Cube, London, U.K.
Love it or Leave it, Cetinje Biennial V, Cetinje, Montenegro.
Non Toccare Donna Bianca-Arte Contemporanea Fra Diversita e Liberazione, Fondazione Sandretto Re Rebaudengo, Torino, Italy.
Bottle: Contemporary Art and Vernacular Tradition, The Aldricht Contemporary Museum, Ridgefield, U.S.A.
Cordially Invited, BAK Basis Voor Actuele Kunst, Utrecht, Germany.
Sculpture for Roumania, National Museum of Art, Bucarest, Romania.

2003
Through the Eye of a Needle, Galerie Chantal Crousel, Paris, France.
3migration, Kunstmuseum, Liechtenstein.
Images of Society, Kunstmuseum, Thun, Swizterland.
Kleine Kleinigkeit, Kunsthalle Basel, Swizterland.
M_ARS. Art and War, Neue Galerie, Graz, Austria.
Sculpture, Alexander and Bonin, New York, U.S.A.

2002
Die Wohltat der Kunst, Staatliche Kunsthalle Baden-Baden, Germany.
Keine Kleinigkeit, Kunsthalle Basel, Switzerland.
Documenta 11, Kassel, Germany.
Focus Nahost, ifa-Galerie, Berlin, Germany.
DO IT, on: www. e-flux.com
Room with a View, Center for Curatorial Studies, New-York, U.S.A.
Marked, Arnolfini, Bristol, U.K.
C’est pas du cinéma!, curated by Michel Nuridsany, Le Fresnoy Studio National, Tourcoing, France.

2001
Passage, Magasin 3, Stockholm Konsthall, Sweden.
The Mediterranean: A New Wall?, Culturgest, Edificio Sede da Caixa general de Depositos, Lisboa, Portugal.
Minimalismos, un Signo de los Tiempos, Museo Nacional, Centro de Arte Reina Sofia, Madrid, Spain.
Ornement et abstraction, Fondation Beyeler, Riehen, Switzerland.
El Instante Eterno, Espai d’Art Contemporani de Castello, Spain.
Mona Hatoum - Shirin Neshat, Institut français de Rabat, Marocco.
Art Unlimited,Basel, Switzerland.
The gift, Generous offerings, threatening hospitality, Palazzo delle Papesse, Sienna; Centro Culturale Candiani, Mestre, Italy; Coproduced with Independant Curators International, NY, U.S.A.
Vides Inclus, Ecole des Beaux Arts, Rennes, France.
Confidences, Casino Luxembourg, Luxemburg.

2000
Artissima, Arte contemporanea a Torino, Italy.
Sincerly Yours, Astrup Fearnley Museet for Moderne Kunst, Oslo, Sweden.
Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, U.S.A.
London Biennale, London, U.K.
Orbis Terrarum, Museum Plantin-Moretus, Antwerpen, Belgium.
La Casa, il Corpo, il Cuore, National Gallery, Prague, Czech Republic.
La forma del mondo / la fine del mondo, Padiglione d’Arte Contemporanea, Milan, Italy.
Ayloul Festival, Beyrouth, Israël.
Body-Body, Arken Museum for Moderne Kunst, Skovvej, Denmark.
Sala Mendoza, Caracas, Venezuela
No es solo lo que ves. Pervirtiendo el minimalismo, Centre de Arte Reina Sofia, Madrid, Spain.
Ex Lux, Kunsthalle Tirol, Vienna, Austria.
Un Siècle d’Arpenteurs - Les Figures de la Marche, Musée Picasso, Antibes, France.
Through Melancholia and Charm, Galerie Nordenhake, Berlin, Germany.
Métissages, Espace Saint-Jacques, Saint Quentin, France.
Mona Hatoum, in ‘’Moving Targets’’, Tate Publishing 2000, U.K.

1999
La casa, il corpo, il cuore; Constructions of the identities, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria; National Gallery, Prag, Czesh Republic; Milano Triennal, Italy; Lisbon, Portugal.
Quotidiana, Castello di Rivoli, Turin, Italy.
Art-Words in Dialogue, Museum Lüdwig, Koln, Germany.
Zeitwenden, Kunstmuseum, Bonn, Germany.
ArtPace Residency, San Antonio, Texas, U.S.A.
Looking for a place, The Third International Biennial, Santa Fe, U.S.A.
The XXth Century - A Century of art in germany, Neue Nationalgalerie, Berlin, Germany.
The Century of the Body, Photoworks 1900-2000, Culturgest, Lisbon, Portugal.
Interweavings (Métissages), CCAC Institute, Oakland, California, U.S.A.
54 x 54, Financial Times Building, London, U.K.

1998
Sculpture Residency in Aswan, Egypt.
Eugenio Dittborn, Willie Doherty, Mona Hatoum, and Doris Salcedo, Alexander and Bonin, New York, U.S.A.
Wounds: between democracy and redemption in contemporary art, Moderna Museet, Stockholm, Sweden.
Early Forms, Galerie Chantal Crousel, Paris, France.
Close Echoes, Public Body & Artificial Space, GHMP, Prague Gallery, Czesh Republic; Kunst Halle Krems, Germany.
Echolot, Museum Fridericianum, Kassel, Germany.
The Herzliya Museum of Art, Herzliya, Isarël.
Claustrophobia, Ikon Gallery, Birmingham (travelling exhibition), U.K.
Real /Life: New British Art , Tochigi Prefectural Museum; Fukuoka City Art Museum; Hiroshima City Museum of Contemporary Art ; Tokyo Museum of Contemporary Art ; 1999 : Ashiya City Museum of Art History, Japan.
Traversées/Crossing, National Gallery of Canada, Ottawa, Canada.
Minimal-Maximal, Neues Museum Weserbrug, Bremen, Germany.
UK - Maximum Diversity , Galerie Krinzinger, Vienna, Austria.
Sensation, Hamburger Banhof, Museum für Gegenwart, Berlin, Germany.
XXIV Biennalede Sao Paulo, Fondation Sao Paulo, Brazil.
Ornament in the Field of Vision, The Centre for Freudian Analysis and Research, London, U.K.
Adressing the Century, 100 Years of Art and Fashion, Hayward Gallery, London, U.K.; Kunstmuseum Wolfsberg, Germany.
Minimal - Maximal, Neus Museum Weserburg Bremen, Germany.
Emotion - Young Bristish and American Artists from the Goetz Collection , Deichtorhallen, Hamburg, Germany.
Cairo Biennal, Egypt.

1997
Alexander and Bonin Gallery, New York, U.S.A.
De-Genderism : détruire dit-elle /il , Setagaya Art Museum, Tokyo, Japan.
Inside The Visible, Art Gallery of Western Australia, Perth, Australia.
Installation at the Dallas Museum, Texas, U.S.A.
Le songe de Constantin, Villa Noailles, Hyères, France.
Artistes Palestiniens contemporains, Institut du Monde Arabe, Paris, France.
Material Culture: The object in British Art of the 80s and 90s , Hayward Galler, London, U.K.
Inside, Henry Art Gallery, Seattle, U.S.A.
You are Here, Royal College of Art, London, U.K.
A Quality of Light, St Ives International, Newlyn Art Gallery, Cornwall, U.K.
Angel, Angel, Kunsthalle Vienna, Vienna, Austria.
The Quiet in the Land, Institute of Contemporary Art, Portland, U.S.A.
Trash: quando i rifiuti diventano arte, Palazzo delle Albere, Trento, Italy.
Life / live, Centro Cultural de Belém, Lisbon, Portugal.
Short Cuts - Links to the Body, DASA, Dortmund, Germany.
Unmapping the earth, The 2nd Kwangju Biennale, Korea.
Micheline Schweitser Gallery, Antwerpen, Belgium.
Sensation, Royal Academy of Art, London, U.K.
TV Sculpture, Channel 4, DNA Bar, London, U.K.
Body, The Art Gallery of New South Wales, Sydney, Australia.
Private Face - Urban Face, Gasworks, Athens ; Rethymon Center for Contemporary Art, Crete.
Art from the UK, Sammlung Goetz, Munich, Germany.

1996
Inside the visible, ICA Boston; The National Museum of Women in The Arts, Washington;
Whitechapel Art Gallery, London, U.K.
Feed and Greed / Manger : une archéologie des sens, Östereichisches Museum Für Angewandte Kunst, Vienna, Austria.
Dimensions, Stadische Kunsthalle, Mannheim; Louisiana Museum of Modern Art, Humlebaek, Denmark.
NowHere, Louisiana Museum of Modern Art, Humlebaek, Denmark.
Foreign Body, Museum für Gegenwartskunst, Basel, Switzerland.
Distemper: Dissonant Themes in the Art of the 1990s , Hirshhorn Museum and Sculpture Garden, Washington, U.S.A.
L’art au corps, Musée d’Art Contemporain, Marseille, France.
Toyama’96, The Museum of Modern Art, Toyama, Japan.
The Quiet in the Land, Residency in a Shaker community, Main, U.S.A.
Shopping, SoHo Art Festival, New York, U.S.A.
Inclusion / Exclusion, Steirischer Herbst, Graz, Austria.
Auto reverse 2 , Centre Régional d’Art Contemporain, Le Magasin, Grenoble, France.
Life / Live : la scène artistique au Royaume-Uni, Musée d’Art Moderne de la ville de Paris
Lake Shaker community, Maine (Residency), U.S.A.

1995
ARS 95 Helsinki, Museum of Contemporary Art, Helsinki, Norway.
Auto Reverse, Saint-Gervais, Centre Européen de la culture, Geneva, Switzerland.
Objects in advance of the concept, Burnaby Art Gallery, Burnaby, Canada.
Inside the visible, Kanaal Foundation, Courtrai, Belgium.
Körper Formen, Dance ‘95, Internationales Tanzfestival, Munich, Germany.
Identité et altérité. Une brève histoire du corps humain , Venice Biennal, Italy.
Here and now, Serpentine Gallery, London, U.K.
Sculpture from the collection, MOMA, New York, U.S.A.
Shopping, CAPC, Musée d’Art Contemporain, Bordeaux, France.
Freedom, Kelvingrove Art Gallery and Museum, Glasgow, Scotland, U.K.
Turner Prize 1995, Tate Gallery, London, U.K.
Ateliers d’artistes, Marseille, France.
Féminin / masculin, le sexe de l’art, Centre Georges Pompidou, Paris, France.
IV° Istanbul Biennal, Turkey.
Biennale de Lyon, France.
Rites of Passage, Tate Gallery, London, U.K.

1994
Forces of change: Contemporary Arab Women artists , National Museum of Women, Washington DC, U.S.A. (travelling exhibition)
Le saut dans le vide, Maison des artistes, Moskow, Russia.
Visione Britannica, Notions of Space, Galleria Valentina Moncada, Roma, Italy.
IK + De Ander, Beurs van Berlage, Amsterdam, Netherlands.
Trans, Galerie Chantal Crousel, Paris, France.
Sense and Sensibility, MOMA, New York, U.S.A.
Super Suburb, Museum City Tenjin’94, Fukuoka, Japan.
Brooke Alexander Gallery, New York, U.S.A.
Le Shuttle, Künstlerhaus Bethanien, Berlin, Germany.
600° International Art Festival of Seoul, Korea.
Cocido y crudo, Centro de Arte Reina Sofia, Madrid, Spain.
Heart of Darkness, Kröller-Müller Museum, Netherlands.
The Visual Diary, Women’s own Stories , The Houston Centre for Photography, U.S.A.
Espacios Fragmentados, V° Havana Biennal, Havana, Cuba.
Art Unlimited: Multiples of the 60’s and 90’s, Centre for Contemporary Art, Glasgow, U.K. (travelling exhibtion)

1993
Four Rooms, Serpentine Gallery, London, U.K.
Grazer Kombustion, Steirischer Herbst’93 festival, Graz, Austria.
Witness, House Gallery, Vancouver, Canada.
Eros, c’est la vie, Le Confort Moderne, Poitiers, France.
Interrogating Identity, Duke University Museum of Art, Durham, U.S.A.
Video and Orality, National Gallery of Canada, Ottawa, Canada.

1992
Pour la suite du monde, Musée d’art contemporain de Montréal, Canada.
Manifeste, 30 ans de création en perspective, 1960-90, Centre Georges Pompidou, Paris, France
Fine Material for a Dream...?, Harris Museum and Art Gallery, Preston; Ferons Museum and Art Gallery, Hull; Oldham Art Gallery, Oldham, U.K.
Brit Art, 11 Britische Künstler, Kunsthaus Glarus, Germany.
The Cutting Edge, Barbican Art Gallery, London, U.K.
Conspiracies of Silence, National Film Theatre, London, U.K.

1991
IV° La Havana Biennal, La Havana, Cuba.
Shocks to the System, Arts Council Collection, Royal Festival Hall, London, U.K. (traveling exhibition). Interrogating Identity, Grey Art Gallery, New York; Museum of Fine Arts, Boston; Walker Art Centre, Minneapolis; Madison Art Center ; Center for the Fine Arts, Miami; Allen Memorial Art Museum, Oberlin ; North Carolina Museum of Art (-1993), U.S.A.
The Interrupted Life, The New Museum of Contemporary Art, New York, U.S.A.
The Hybrid State, Exit Art, New York, U.S.A.
Video Fest’91, Medien Operative, Berlin, Germany.
Video Positive, Merseyside’s International Video Festival, Liverpool, U.K.

1990
Passages de l’image, Centre Georges Pompidou, Paris, France.
The British Art Show, McLellan Galleries, Glasgow; Leeds City Art Gallery; Hayward Gallery, London, U.K.
TSWA Four Cities Project, Newcastle-upon-Tyne, U.K.
Video and Myth, The Museum of Modern Art, New York, U.S.A.
Rencontres Internationales Art Cinéma/Vidéo/ Ordinateur, Vidéothèque de Paris, France.
The Feminist Eye: Mapping the Subject , The Brooklyn Museum, New York, U.S.A.
Changing the Subject, Antology Film Archives, New York, U.S.A.
Disrupted Identities, SF Camerawork, San Francisco, U.S.A.
Territories of Distance, Walter Phillips Gallery, Banff, Canada.

1989
The Light at the End, The Showroom, London, U.K.
Intimate Distance, The Photographers’ Gallery, London, U.K.
The Other Story, Hayward Gallery, Londres; Wolverhampton Art Gallery; Manchester City Art Gallery et Cornehouse, Manchester, U.K.
Uprising, Artist’s Space, New York, U.S.A.
Electric Eyes, Film and Video Umbrella, ICA, London, U.K. (travelling exhibition)
Video Positive’89, Mereyside’s International Video Festival, Blue coat Gallery, Liverpool, U.K.
Video Fest’89, Medien Operative, Berlin, Germany.
Electric Eyes, Film and Video Umbrella, ICA, London, U.K. (travelling exhibition)
Video Positive’89, Mereyside’s International Video Festival, Blue coat Gallery, Liverpool, U.K.
Video Fest’89, Medien Operative, Berlin, Germany.
Film Fest D. C., Third Annual Washington D. C. International Film Festival, Washington, U.S.A.
5ème Festival International de Films et Vidéos de Femmes de Montréal, Canada.
Retrospective Mona Hatoum, Montréal, Canada.
Acts of Remembrance, Harris Museum and Art Gallery, Preston, U.K.

1988
The Essential black Art, Chisenhale Gallery, London, U.K. (travelling exhibition)
Nationalism: Women and the State, A Space, Toronto (performance), Canada.
Siting Technology, Mc Kenzie Art Gallery, Regina, Canada.
Metro Billboard Project’88, Projects UK, Newcastel upon Tyne, U.K. (travelling exhibition)
EDGE’88, International Festival of Experimental Art, Clerkenwell, London, U.K.
Installations, Cornerhouse, Manchester, U.K.
In an Unsafe Light, Ikon Gallery, Birmingham, U.K.
Along the Lines of Resistance, Cooper Gallery, Barnsley (travelling exhibition), U.K.
Hi-Beam, Recent Film and Video for the Big Screen, Tate Gallery, London, U.K.
32° London Film Festival, London Film Makers Co-op, London, U.K.

1987
Chisenhale Dance Space, London (performance), U.K.
At the Edge, Air Gallery, London, U.K.
Figures, Cambridge Darkroom, Cambridge; Milton Keynes Gallery, Milton Keynes; The Arts Center, Darlington (performance), U.K.
Confrontations: The Role of Controversy in Art, Laing Art Gallery, Newcastle ; Cartwright Hall, Bradford and The Cornerhouse, Manchester, U.K.
State of the Nation, Herbert Art Gallery, Coventry, U.K.
Trans-Positions, Leeds City Art Gallery, Leeds, U.K.
National Review of Live Art, Riverside Studios, London (performances), U.K.
New Work, No Definition, Third Eye Centre, Glasgow (performance), U.K.
Siting Technology, Walter Phillips Gallery, Banff, Canada.
The Elusive Sing, British Avant-Garde Film and Video 1977-1987 , Tate Gallery, London, U.K. (international travelling exhibition).
Dislocations, Kettle’s Yard, Cambridge (performance), U.K.

1986
New Work, Newcastle’86, Projets UK, Laing Art Gallery, Newcastle upon Tyne, U.K. (performance)
Next Tomorrow, Cambridge Darkroom et Kettle’s Yard, Cambridge, U.K.
Live Video, Time Based Arts, Amsterdam (performance), Netherlands.
Je est un autre, Galerij van de Akademie, Waasmunster, Netherlands.
Streets Alive, Performance Festival in Sheffields streets, U.K.
Identity/ Desire, Representing the Body , Scottish Arts Council, Collins Gallery, Scotland.
Glasgow; Aberdeen Art Gallery and Museum, Aberdeen; Crawford Centre of the Arts, St. Andrews and Maclaurin Art Gallery, Ayr, U.K.
Conceptual Clothing, Ikon Gallery, Birmingham, (travelling exhibition), U.K.

1985
Dazzling Phrases, Forest City Gallery, London, U.K.; The Art Gallery of Windsor, Ontario, Canada (performance).
Real Time, Audio Arts, ICA, London, U.K. (performance).
Kunst Mit Eigen-Sinn, Museum Moderner Kunst, Vienna, Austria.
Roadworks, a series of performances on Brixton Street, London, U.K.
Art and Research Exchange, Belfast, Ireland.

1984
2nd International Festival of Performance, South Hill Park, Bracknell, Berkshire, U.K.
Womens Performance, Rochdale Art Gallery, Rochdale, U.K.

1983
Bridewell Studios, Liverpool, U.K. (performance).
The Radiator, Manchester, U.K. (performance).
Blind Dates, The Blackie, Liverpool, U.K. (performance).
Wiencouver IV, The Western Front, Vancouver, Canada (exchange between Vienna, Austria and Vancouver, Canada).

1982
Women Live, London Film Makers Co-op, U.K. (performance)
Reflections, Aspex Gallery, Portsmouth, U.K. (performance)

1981
Gender Views, London Film Makers Co-op, London, U.K. (performance)
New Contemporaries’81, Institute of Contemporary Arts, London, U.K. (performance)
Basement Gallery, Newcastle upon Tyne, U.K. (performance)
Summer Show 81, London Film Makers Co-op, London, U.K.

1980
Five Days IN Battersea, Battersea Arts Centre, London, U.K. (performance)
Summer Show 80, London Film Makers Co-op, London, U.K. (performance)

Nov. 21, 2011
Mona Hatoum - Sammlung Goetz - For the first time, Sammlung Goetz dedicates an ...