"For The Time Being", S.M.A.K., Gent, Belgium

2001
“Moshe Ninio“, Galerie Chantal Crousel, Paris, France

2002
" C’est pas du cinéma !", Le Fresnoy studio national, jan-march.

2001
"The Mediterranean : A New Wall ?", Culturgest, Edificio Sede da Caixa geral de Depositos, Lisboa, Portugal

1999
"Tales of the Sand", Contemporary Israeli Art, The Fruitmarket Gallery, Edimburgh, U.K.

1994/95
"Burnt Whole", W.F.A., Washington D.C. / I.C.A, Boston, USA

1994
"Confrontations", Museum of 20th Century Art, Vienna, Austria
"Strong Emphasis", The Israel Museum, Jérusalem, Israël
"Anxiety", The Ramat Gan Museum for Israeli Art, Israël

1993
"Ultima", Yab Labanim Museum, Petach-Tikva & al.
"Makom", Contemporary Art from Israel, Museum of the 20th Century Art, Vienna, Austria

1992
"Routes of Wandering, Nomadism, Voyages and Transitions in Contemporary
Israeli Art’’, The Israel Museum, Jerusalem, Israël
Documenta IX, Kassel, Germany
"The Israeli Artists of Documenta IX", University of Haifa Gallery of Art, Israël

1991
"Persistence of Memory", The Third Israeli Biennale of Photography, Mishkan Le'Omanut, Ein Harod, Israël
"Place & Mainstream", Contemporary Sculpture from Israel, Hara Museum Arc, Gunma , Israël
Prefecture / Museum of Contemporary Art, Seoul, Korea

1990
"Space / Presentation / Power", Bograshov Gallery, Tel Aviv, Israël
"Life size : a sense of the real in recent art", The Israel Museum, Jerusalem, Israël

1988
"Fresh paint, the younger generation in Israeli art", The Tel Aviv Museum of Art, Israël

"Moshe Ninio, la seconde vie du tapis", Beaux Arts Magazine, n° 200, Jan.


«Black Milk – On Moshe Ninio’s ‘Stain’ », by Ory Dessau, in: Studies israeli art magazine, Nr° 162, october – november  

2003
« Moshe Ninio », in : Studio Art Magazine, n° 149, dec. – jan.

2001
" O corpo como linguagem comum ", in: Diario de Noticias, oct.
" Os tons e os sons do Outono ", in: Artes, oct.
Jean-Max Colard, "Constat de décès", les Inrockuptibles, n°277, 13-19 Feb.
Remo Guidieri, “ L’époque de la négation de l’image en marge de l’exposition de l’israélien Moshe Ninio“, Avvenire, Feb.
“Moshe Ninio“, Love at First Sight, The Vera, Silvia, and Arturo Scharz – Collection of Israeli Art

1998
Bart de Baere, "In the Mean Time", Kunst Nu 98, n° 5

1992
Ariella Azoulay, "Critical Art in Israel", Theory and Criticism, An Israeli Forum, vol.2, Summer

1990
"But we're not really in the picture", interview with Galia Bar-Or, Studio Art Journal, n° 10, April
Oded Yedaya, "Photography in Disguise - Moshe NInio in the Israel Museum", Kol Ha'ir, 22 June
Mordechi Geldman, "The deep sound of silence", Ha'aretz, 14 Aug.
Michael Segan Cohen, "A catious approach to the sources", Studio ArtJournal, n° 14, Sept.
David Gurevitch, "Post-modernism and the stage of things ; the floating catastrophe, sign language, the goal", Studio Art Journal, n° 14 Sept.

1989
"After da Vinci", interview with Udi Aloni, Ha'ir, 6 Jan.

1983
Itamar Levi, "Nocturno of consciousness - the works of Moshe Ninio in the Naomi Givon Gallery", Iton 77, n° 43

1982
Nili Noyman, "Moshe Ninio - Works of Essential Images", Kav, n° 3-4