Born in1961 in Buenos Aires, Argentina.
Lives and works in New York, USA, Berlin, Germany and Chiang Mai, Thailand.

The Whitney Independent Studies Program, New York, USA.
The School of the Art Institute of Chicago, USA.
The Banff Center School of Fine Arts, Banff, Canada.
The Ontario College of Art, Toronto, Canada.

2011
Murder and Mayhem 2011, 1301PE, Los Angeles, CA.
Rirkrit Tiravanija, Gavin Brown, New York USA.

2010
Rirkrit Tiravanija Retrospective, Kunsthalle Bielefeld, Bielefeld, Germany
Rikrit Tiravanija, Pilar Corrias Gallery, London, U.K.
Ne travaillez jamais, Tang contemporary Art, Beijing, China.
Galerie Chantal Crousel, Paris, France.

2009
Rirkrit Tiravanija: Less oil more courage. Kunsthalle Fridericianum, Kassel, Germany.
The house the cat built, Salvador Diaz, Madrid, Spain.
Reflection, New Yorkehaus, New York, USA.
A long march, CAC Centro de Arte Contemporaneo Malaga, Malaga, Spain.

2008
Rirkrit Tiravanija, magazine station no. 5, Artspace, New Zealand.
Rirkrit Tiravanija and Neil Logan, Foster, You’re Dead, Galleria Emi Fontana, Milano, Italy.
Palm Pavillion, Kurimanzutto Gallery, Mexico.
Demonstration Drawings, The Drawing Center, New York, USA.

2007
Untitled 1992 (Free), with Gordon Matta-Clark, David Zwirner, New York, USA.
Philippe Parreno & Rirkrit Tiravanija, Friedrich Petzel gallery, New York, USA. 2006
Brychy Bar, Gavin Brown’s Enterprise, New York, USA. Demonstration Drawings, 1301PE, Los Angeles, USA. Philippe Parreno & Rirkrit Tiravanija, Friedrich Petzel Gallery, New York, USA.
Galerie Chantal Crousel, Paris, France.

2006
Brychy Bar, Gavin Brown’s enterprise, New York
Demonstration Drawings, 1301PE, Los Angeles, US
Philippe Parreno & Rirkrit Tiravanija, Friedrich
Petzel Gallery, New York, US
Galerie Chantal Crousel, Paris


2005
Untitled 2005 (Magazine Station No. 4), Neugerriemschneider, Berlin, Germany.
Rirkrit Tiravanija, The Hugo Boss Prize 2004, Salomon R. Guggenheim Museum, New York, USA.
Une Rétrospective (tomorrow is another fine day), Serpentine Gallery, London, U.K.
Une Rétrospective (tomorrow is another fine day), Musée d’Art Moderne de la Ville de Paris/ARC, Paris, France.

2004
Retrospective, Museum Boijmans van Beuningen, Rotterdam, Netherlands.
Nothing: A Retrospective, by Kamin Lertchaiprasert and Rirkrit Tiravanija, Chiang Mai University Museum & the land, Chiang Mai, Thailand.
Gordon Matta-Clark – In the Belly of Anarchitect (with Pierre Huyghe & Pamela M. Lee), Portikus, Frankfurt am Main, Germany, Social Pudding, Rirkrit Tiravanija and Superflex, 1301PE, Los Angeles, USA.

2003
Demo station no.4, Ikon Gallery, Birmingham, U.K. In the future everything will be chrome, with Nick Relph & Olivier Payne, Gavin Brown (Modern), New York, USA.
Social Pudding, Rirkrit Tiravanija and Superflex, Galerie für Zeitgenössische Kunst, Leipzig, Germany.

2002
Untitled, 2002, (He promised), Secession, Vienna, Austria.
Untitled, 2002, (the raw and the cooked), City Opera Gallery, Tokyo, Japan. Untitled, (demo station no.3), Sumida River Project, Asahi Beer Co, Tokyo, Japan. Demonstration, Sumida River Project, Asahi Beer, Tokyo, Japan. oVerstation no. 2, Astrup Fearnley Museum of Modern Art, Oslo, Norway.

2001
The Land, Galerie Chantal Crousel, Paris, France.
Rirkrit Tiravanija – Over Magazine, Oslo Kunsthall, Oslo, Norway.
GAM, Turin, Italy.
Untitled, 2001, (demo station no.3), Portikus, Frankfurt, Germany.
Untitled, 2001, (no fire no ashes), Neugerriemschneider, Berlin, Germany. Untitled, 2001, (the two sons of Mönchengladbach), Städtisches Museum Abteiberg, Mönchengladbach, Germany. Rirkrit Tiravanija, (with Superflex), Kunstverein, Wolfsburg, Germany.
Untitled, 2000, (demonstrate, use it when the grass is green), Galeria Salvador Diaz, Madrid, Spain.
Passage Cosmo, Project Gallery, CCA Kitakyushu, Japan. Rirkrit Tiravanija, 1301 PE, Los Angeles, CA, USA. Untitled, 2000, (bon voyage), Grazer Kunstverein, Graz, Austria. Untitled, 2000, (polyradiobucket), (with Lincoln Tobier), Avignon, France. Untitled 2000, oVERSTATION No. 2, Galleria Emi Fontana, Milano, Italy.
Untitled 2000, oVER STATION No. 1, Gallery Side 2, Tokyo, Japan.

1999
Ruckus L.A. meets (Dom-Ino Effect), in collaboration with Lincoln Tobier, LACMA, Los Angeles, USA.
A Trailer for a Film (in progress for the past several years), 1301 PE, Los Angeles, USA. Helga Maria Klosterfelde, Hamburg, Germany.
Untitled 1999, Community Cinema for a Quiet Intersection (After Oldenburg), The Modern Institute, Glasgow, U.K.
Untitled, 1999, (mobile home), Fundacio « la Caixa », Barcelona, Spain. Untitled, 1999, (tomorrow can shut up and go away), Gavin Brown’s Enterprise, New York, USA. Untitled, 1999, (reading from right to left), Wexner Center for the Arts, Columbus, Ohio, USA. dAPERtutto, 48. Esposizione Internazionale d’Arte, La Biennale di Venezia, Venice, Italy. Galerie Micheline Szwajcer, Antwerp, Belgium.
1998
Dom-Ino (une démonstration d’automne), Galerie Chantal Crousel, Paris, France. Untitled,1998, Galerie Micheline Szwajcer, Antwerp, Belgium. Untitled,1998, (das soziale kapital), Migros Museum, Museum für Gegenwartskunst, Zürich, Switzerland.
Untitled, 1998, (on the road with Jiew, Jeaw, Jieb, Sri and Moo), Philadelphia Museum of Art, Philadelphia, USA.

1997
Untitled, 1997, (a demonstration by Faust as a sausage and Franz Biberkopf as a potato), Neugerriemschnelder, Berlin, Germany.
Untiled ,1997, (playtime), Projects 58, MoMA, New York, USA ; Williams College Museum of Art, Williamstown, MA, USA.
Untitled, 1997, (the history of the struggle for the window), Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg, Germany.
Untitled ,1997, (schupfnudein), Jan Winkelmann, Munich, Germany. Helga Maria Klosterfelde, Hamburg, Germany.

1996
Untitled, 1996, (loup, es-tu-là ?), Galleria Emi Fontana, Milano, Italy. Untitled, 1996, (traffic), Navin Gallery, Bankok, Thaïland. The Pool Room, Kunstverein in Hamburg, Hamburg, Germany. Untitled, 1996, (tomorrow is another day), Kölnischer Kunstverein, Köln, Germany. Untitled ,1996, (one revolution per minute), Le Consortium, Centre d’Art Contemporain, Dijon, France. Untitled, 1996, (rehearsal studio n° 6), Kunsthalle, St. Gallen, Switzerland.
In/Out, (a collaboration with U of I and The Resource Center), Gallery 400 U of I, Circle Campus, Chicago, USA.
Stichting DeAppel, (with Renée Green), Amsterdam, Netherlands. Cinéma liberté – bar lounge, Douglas Gordon Rirkrit Tiravanija, FRAC Languedoc-Roussillon, Montpellier,
France.
Untitled 1996 (rehearsal studio no. 6, Silent version), Spiral Garden, Tokyo, Japan. Stormer, Hamburg, Helga Maria Klosterfelde Editionen, Hamburg, Germany.

1995
Untitled, 1995, (tent), Architektenbüro Alsop & Störmer, Hamburg; Helga Maria Klosterfelde Edition, Hamburg, Germany. Untitled, 1995, (rrom baragap...to Reina Sofia), Kunsthalle Basel, Basel, Switzerland. Untitled, 1995, (still), 303 Gallery, New York, USA.

1994
Andy Warhol / Rirkrit Tiravanija, Gavin Brown’s Enterprise, New York, USA. Untitled, 1994, (meet tim & burkhard), Neugerriemschneider, Berlin, Germany. Untitled, 1993, (rucksack), 2.9.1994 Architektenbüro Alsop & Störmer, Hamburg, Germany; Helga Maria Klosterfelde Edition), Hamburg, Germany. Untitled, 1994, (fear eats the soul), Friesenwall 116, Köln, Germany. Untitled, 1994, (beauty), Jack Hanley Gallery, San Francisco, USA. Untitled 1994 (From Baragas…to Reina Sofia), Reina Sofia, Madrid, Spain. Untitled 1994 (angst essen seele a uf), Friesenwall 116, Cologne, Germany.

1993
Untitled, 1993, (live and eat, eat and die), Randolph Street Gallery, Chicago, USA. Untitled 1993 (rucksack), 2.9.1994 Architektenbüro Alsop & Störmer, Hamburg, Germany.


1992
Untitled, 1992, (free), 303 Gallery, New York, USA.
1990
Pad Thai, Project Room, Paula Allen Gallery, New York, USA.
Untitled, 1990, (blind), Randy Alexander Gallery, New York, USA.

2011
untitled 2011 (el gusano), M Building, Miami, USA.
Distant Star/Estrella Distante, Regen Projects, Los Angeles, U.S.A./kurimanzutto, Mexico D.F., Mexico.
The Spiral and the Square. Exercises in translatability, Bonniers Konsthall, Stockholm, Sweden

2010
Art of the 21st Century, Queensland Art Gallery, Brisbane, AustraliaSanctuary, LA Art Core, Los Angeles, CA
The Last Newspaper, New Museum, New York, NY
And So On, And So On, and So On..., Harris Lieberman Gallery, New York, NY 
Open Score Variations, CCS Bard, Annedale-on-Hudson, NY
One Room, One Work, 1301PE, Los Angeles, CA
Fisch Gräten Melkstand, Temporäre Kunsthalle Berlin, Germany.
The Page, Kimmerich, New York, U.S.A.
Post Document, XIV Biennale Internazionale di Scultura di Carrara, Carrara, Italy.

2009
De l’interprétation, Zoo Galerie, Nantes, France.
II Tempo del Postino, Manchester International Festival, Manchester, U.K.
The Social Critique: 1993-2005, Kalmar Konstmuseum, Sweden.
Exhibition as school, Arte Contempo, Lisboa, Portugal.
Reality Sandwiches, Artnews Projects, Berlin, Germany.
Moral Imagination. Current Positions in Contemporary Art in the Face of Global Warming, Museum Morsbroich, Leverkusen, Germany.
Mind the Step, 1301PE, New York, USA.
One Day Sculpture, Artspace, Auckland, New Zealand.
Desenhos [drawings]: a-z, Museu da Cidade, Lisboa, Portugal.
Re-Imagining Asia, The New Art Gallery Walsall, West Midlands, U.K.
The Puppet Show, Contemporary Arts Museum, Houston, Texas, USA.
The House the Cat Built. Galería Salvador Diaz, Spain.
“Itʼs fine as long as you draw but donʼt film” (Waltz with Bashir, 2008): An exhibition of
drawings, Pilar Corrias Gallery, London, U.K.
Brodno Sculpture Park, Museum of Modern Art in Warsaw, Poland.
1992009, DʼAmelio Terras, New York, USA.
Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary
Drawings Collection,” Museum of Modern Art, New York, USA.

2008
unitednationsplaza Mexico DF, Casa Refugio Citlaltepetl, Mexico.
Pivot Point, defining MOCA’s collection, MOCA, Miami USA.
Reykjavik Experiment Marathon, curated by Olafur Elisasson and Hans Ulrich Obrist, Reykjavik Art Museum, Iceland.
The Greenroom: Reconsidering the Documentary and Contemporary Art, Hessel Museum of Art, CCS Bard, Annandale-on-Hudson, NEW YORK, USA.
Yokohama Triennale, Yokohama, Kanagawa, Japan.
The Greenroom: Reconsidering the Documentary and Contemporary Art, curated by Maria Lind, CCS Bard Hessel Museum, New York, USA.
Out Now!, organized by Anton Vidokle, E-Flux, New York, USA.
theanyspacewhatever, curated by Nancy Spector Solomon R. Guggenheim Museum, New York, USA.
Yokohama Triennial, Japan.
The New York Conversations, a project by Nico Dockx, Anton Vidokle, and Rirkrit Tiravanija, E-flux, New York, USA.
Whoʼs Afraid of Jasper Johns?, conceived by Urs Fischer and Gavin Brown, Tony Shafrazi Gallery, New York, USA.
The Puppet Show, Santa Monica Museum of Art, CA, USA.
Installations: Selection from the Guggenheim Collections, Guggenheim Museum Bilbao, Bilbao, Spain.
Vertrautes Terrain – Aktuelle Kunst in und uber Deutschland, ZKM Center for Art and Media, Karlsruhe, Germany.
From Gerhard Richter to Rebecca Horn: Works from the Contemporary Art Collection of the Federal Republic of Germany, Art and Exhibition Hall of the Federal Republic of Germany, Bonn, Germany.
Experiment Marathon Reykjavik, Reykjavik Art Museum, Iceland.
Glasgow International, Glasgow, Scotland.
Re-Imagining Asia, Haus der Kulturen der Welt, Berlin, Germany.
Pivot Points: Defining MOCAʼs Collection, MOCA Miami, Florida.
Art and Capital: Spiritual Odyssey, Gallery Loop, Korea.
Servitude & Simulacre, Ce Soir, curated by Jordi Vidal, Paris, France.

2007
II Tempo del Postino, Manchester International Festival, Manchester, U.K.
Airs De Paris Centre G Pompidou Paris France.
Art on Stage 1 An untitled concert Theater Basel Basel Switzerland.
“Lucelia Award Show, Smithsonian American Art Museum, Washington, USA.
Words fail me, curated by Matthew Higgs, MOCAD, Museum of Contemporary Art Detroit, USA.
Lyon Biennale, selection of film, from SOC, Lyon, France.
Sh Contemporary, Untitled 2007 (Behold your future), Shanghai, China.
THE PLACE & THE PLATE”, The Jim Thompson Art Center, the French Embassy in Thailand and Alliance Française Bangkok, Bangkok.
Artists Space, New York, USA.
Queens museum, Queens, USA.
The last picture show, Friededrich Petzel Gallery, London, U.K.
Trans(ient)city, Luxembourg.
Sharjah Biennial, Sharjah, UAE.
OCAD (Ontario College of Art & Design), Canada.
all Hawaii eNtrees/luNar reGGa, Irish Museum of Modern Art, Dublin, Ireland. The Freak Show, Musée d’Art Contemporain de Lyon, France. New Economy,curated by Joao Ribas, Artist Space, NEW YORK, USA.
Someone else with my Fingerprints, Galerie Chantal Crousel, Paris, France.

2006
Satellite of Love, Witte de With, Rotterdam, Netherlands.
Surprise, Surprise, Institute of Contemporary Arts, London, U.K. Haus am Waldsee. Ort internationaler Gegenwartskunst, ‘Anstoss Berlin – Kunst macht Welt’, Berlin, Germany. Infinite Painting, Villa Manin, Centro d’Arte Contemporanea, Italy.
Again for tomorrow, Royal College of Art, Londres, U.K.
Tent. International Film Festival, Witte de With, Center for Contemporary Art, Rotterdam, Netherlands. Mapping the studio, Stedelijk Museum, Amsterdam, Netherlands. The Large Piece of Turf, Contemporary Art in the Public Domain, Nuremberg, Germany.
Into Me/Out of Me, P.S. 1 contemporary art center, USA, KW Institute for Contemporary Art in Berlin, Germany.
‘25 x 25’, White Columns at Cereal art, curated by Matthew Higgs and Amie Scally, Philadelphia, USA.

2005
Universal Experience: Art, Life & the Tourist’s eye, The Museum of Contemporary Art, Chicago, USA.
DOMICILE privé/public, Musée d’Art Moderne de Saint-Etienne Métropole, France.
Lyon Biennal of Contemporary Art, Experiencing Duration, Lyon, France. Luna Park. Fantastic Art exhibition, Villa Manin, Passariano, Italie. FUSION. Aspects of Asian Culture in the MUSAC, Museo de Arte Contemporaneo de Castilla y Leon, Spain. Satellite of Love, Witte de With, Rotterdam, Netherlands. Thank you for the Music, Sprüth Magers, Munich, Germany. Lichtkunst aus Kunstlicht, ZKM Karlsruhe, Germany. Räume und Schatten, Haus der Kulturen der Welt, Berlin, Germany. In the Middle of the Night. DieNeuerwerbungen seit 1996, Kunsthalle Bielefeld, Germany. Nach Rokytnik. The EVN Collection, MUMOK Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria. Dosenhos: A-Z (Drawings: A-Z), Porta 33, Funchal, IIha da Madira, Portugal. Looking at words, Andrea Rosen Gallery, New York, USA. 36 x 27 x 10, White Cube Berlin im ehemaligen Palast der Republik; Berlin, Germany. Early Work, White Columns, New York, USA. Fantasia, the Second Guangzhou Triennial, Guangdong Museum of Art, Er-sha Island, Guangzhou, China. Post no bills, White Columns, New York, USA. Nur hier ? (3), Hochschule für Grafik und Buchkunst, Leipzig, Germany. Drive. Cars in Contemporary Art, Galleria D’Arte Moderna, Bologna, Italy.
Small: The Object in Film, Video & Slide Installation, Whitney Museum of American Art, New York, USA.
Utopia Station, Haus der Kunst, Munich, Germany.
Gordon Matta-Clark - In The Belly Of Anarchitect, Portikus, Frankfurt, Germany. Dakar Biennial 2004, Dakar, Senegal.
The Encounters in the 21st Century: PolyphoNew York – Emerging Resonances, 21st Century Museum of Modern Art, Kanazawa, Japan. 70/90 Engagierte Kunst, Neues Museum, Staatliches Museum für Kunst und Design in Nürnberg, Nürnberg, Germany. Social Capital, Whitney Museum of American Art Independant Study Program Exhibition, New York, USA. cat.) Klütterkammer, ICA, London, U.K. International 04, Liverpool Biennial, Liverpool, U.K. e-flux video rental, e-flux, New York, USA. Qualsiasi (TV), base, Florenz, Italy. Artists’ Favourites, ICA Galleries, London, U.K.

2003
The Fifth System: Public Art in the Age of “Post Planning”, the 5th Shenzhen International Public Art Exhibition,
Shenzhen, China.
Utopia Station, co-curator with Molly Nesbit and Hans-Ulrich Obrist, 50th International Art Biennial, Venice, Italy.
Perfect Timeless Repetition, Alte Gerhardsen, Berlin, Germany.
Writing Identity, Autobiography in Art, Galerie fûr Zeitgenössische Kunst, Leipzig, Germany.
The Big Nothing, Institute, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA. Werke aus der Sammlung Boros, Museum für neue Kunst, ZKM, Karlsruhe, Germany. Elephant Juice (sexo entre amigos), Kurimanzutto, Mexico City, Mexico. Installation art 1969-2002, Museum for Contemporary Art MOCA, Los Angeles, USA. Utopia Station – Poster Project, Haus der Kunst, München, Germany. Hands up, baby, hands up, Oldenburger Kunstverein, Oldenburg, Germany. Everyday, Kunstforeningen, Kopenhagen, Denmark. Actionbutton, Hamburger Bahnhof, Berlin, Germany. Love Planet, Benesse, Okayama, Japan. El aire es azul, Casa Museo Luis Barragan, Mexico City, Mexico. Social Capital, Whitney Museum Of American Art Independent Study Program Exhibition, New York, USA. Identität schreiben, Autobiographie in der Kunst, Galerie für zeitgenössissche Kunst, Leipzig, Germany. Inaugural Group Exhibition, Gavin Brown’s enterprise, New York, USA. Imperfect Marriages, Emi Fontana, Milano, Italy.

2002
ReProduction, Galerie Bernhard Knaus, Mannheim, Germany.
En Route, Serpentine Gallery, London, U.K.
No Ghost Just a Shell, Kunsthalle Zürich, Zürich, Switzerland.
Neugerrimschneider, Berlin, Germany. Post-VCR-Art, The Tyneside Cinema, Newcastle Upon Tyne, U.K.
Public Affairs. Von Beuys bis Zittel: Das Öffentliche in der Kunst, Kunsthaus Zürich, Zürich, Switzerland.
40 Jahre Fluxus und die Folgen, Nassauischer Kunstverein und Projektbüro des Stadtmuseums, Wiesbaden, Germany.
Points of Departure II: Connecting with Contemporary Art, San Francisco Museum of Modern Art, San Francisco, USA.
Tutto normale, Villa Médicis, Rom, Italy. EACC, Castello, Spain. Comfort Zone, Fabric Work Shop, Philadelphia, USA.
The object sculpture, Henry Moore Foundation, Leeds U.K.
Void, Rice Gallery G2, Tokyo, Japan.
To Eat or Not to Eat, Centro de Arte de Salamanca, Spain. Liverpool Biennial, Liverpool, U.K.

2001
Tirana Biennal 1, Tirana, Albania.
The Beauty of Intimacy – Lens and Paper, Gemeentemuseums, Den Haag, NL; Staatlichen Kunsthalle Baden-Baden, Germany; Kunstraum Innsbruck, Germany.
Watou Poeziezomer, Watou, Belgium.
Next Generation – Art contemporain d’Asie, curated by Michel NurisdaNew York, Passage de Retz, Paris, France.
Plug in – Einheit und Mobilität, Westfälisches Landesmuseum, Münster, Germany.
Il dono – offerta ospitalità insidia; Palazzo delle Papesse, Centro d’Arte Contemporanea, Sienna, IGAM, Turin, Italy. 7th Internatinal Instanbul Biennial, Istanbul, Turkey.
Yokohama Triennial 2001

1999
Kuns-Welten im Dialog, Museum Ludwig Köln, Germany. Blown Away, 6th International Caribbean Biennal, St. Kitts, Caribbean Islands . Rirkrit Tiravanija and Lincoln Tobier, Los Angeles County Museum of Art, CA, USA.
Picnic, Museo de las artes, Universidad de Guadalajara, Mexico. Peace, Migros Museum, Zürich, Switzerland.
Une histoire parmi d’autres, FRAC Nord Pas de Calais, Dunkerque, France.
Moving Images-Film Reflexion in der Kunst, Galerie für Zeitgenössische Kunst, Leipzig, Germany. Ex-tension, Museum het Domain, Sittard, Netherlands. Locally interested, Institute of Contemporary Art, Sofia, Bulgaria.
DAPERTutto, 48, Esposizione Internazionale d’Arte, La Biennale di Venezia, Venezia, Italy. 1
st Fukuoka Triennale, Fukuoka Asian Art Museum, Fukuoka, Japan.
Go away: artistes and travel, Royal College of Art, London, U.K.
A Piece of Furnture…, Galerie Anselm Dreher, Berlin, Germany.
Talk. Show. Die Kunst der Kommunikation in de 90er Jahren, Haus der Kunst, München; Von der Heydt- Museum Wuppertal, Wuppertal, Germany.
Photography Salon, Elizabeth Cherry Contemporary Art, Tucson, AZ, USA.
Exploding Cinema, its installations, FROM/TO, International Film Festival Rotterdam / Witte de With, Rotterdam, Netherlands.
L’Envers du décor, Institut d’art contemporain, Villeurbanne, France.
City on the move 4, Artspace 1%, Louisiana Museum of Modern Art, Copenhagen, Denmark.
Changement d’Air, FRAC Nord-Pas-de-Calais, Villeneuve d’Ascq, France.
AmAzonas, Villa Minimo, Hannover, Germany.
Entre Excès et Retrait, FRAC Nord-Pas-de-Calais, Dunkerque, France. Economia ce Mercado, Galeria Kurimanzutto, Mexico City, Mexico.
Konstruktionszeichnungen, Kunst-Werke, Berlin, Germany.
Places to Stay #5 M(usic), Büro Friedrich, Berlin, Germany. Project Row Houses: Street Life (Round 11), curated by Jerôme Sans, Houston, USA.
Embedded Metaphor, curated by Nina Felshin, organized by ICI, New York, traveling exhibition (1996-1999), USA.

1998
Dad’s Art, Neugerriemschneider, Berlin, Germany.
1994 untitled, 1994 (meeting&burkhard)brançusi, 1997, Grazer Kunstverein, Austria.
Le procès de pol pot, Magasin Centre National d’Art Contemporain, Grenoble, France.
Sydney Biennale, Sydney, Australia.
Berlin Biennale, Berlin, Germany.
Conversation Pieces, Zwinger Gelerie, Berlin, Germany.
Crossings, National Gallery of Canada, Ottawa, Ontario, Canada.
Dijon / Le Consortium, Centre Georges Pompidou, Paris, France.
L’envers du décor, Musée d’art moderne, Lille, France. Propos mobiles, Paris X°, France. M(usic) # 5, Büro Friedrich, Berlin, Germany.
Mostrato, Fuori Uso ’98, Mercati Ortofrutticoli, Pescari, Italy (cat.); National Gallery of Canada, Ottawa, Ontario, Canada. Inside…Outside, Städtisches Museum Leverkusen. Schloß Morsbroich; ONTOM TM, Galerie für Zeitgenössische Kunst, Leipzig, Germany. KünstlerInnen. 40 Positionen zeitgenössischer internationaler Kunst in Videoportraits, museum in progress in Zusammenarbeit mit dem Kunsthaus Bregenz / Künstlerhaus Bethanien, Berlin, Germany.
Not Today, Gavin Brown’s enterprise, New York, USA.
Kunst und Papier auf dem Laufsteg, Deutsche Guggenheim Berlin, Germany. Deserted & Embraced, Goethe-Institute, Bangkok, Thaïland.
Cities on the Move, CAPC Bordeaux, France.
Wounds: between democracy and redemption in contemporary art, Moderna Museet, Stockholm, Sweden.
Leisure and Travel, Paula Cooper Gallery, New York, USA.
Dad’s Art, neugerriemschnungen, kunst-Werke, Berlin, Germany.
Le proces de pol pot, Magazin Centre National d’Art Contemporain de Grenoble, Grenoble, France.
ONTOMtm, Galerie fur Zeitgenossische Kunst, Leipzig, Germany.

1997
Cities on the Move, Wiener Secession, Vienna, Austria. Enterprise, ICA, The Institute of Contemporary Art, Boston, USA.
Kunst…Arbeit, Südwest LB, Stuttgart, Germany.
Deserted & Embraced, Chiang Mai, Thailand (cat.); Helga Maria Klosterfelde, Hamburg, Germany.
Truce: Echoes of Art in an Age of Endless Conclusions, Site Santa Fe, Santa Fe, USA.
Medium of Exchange, Congress Centrum Hamburg, Confintea 1997, Hamburg, Germany.
Kunst in der neuen Messe Leipzig, Leipzig, Germany.
Letter and Event, Apex Art C.P., New York, USA.
Performance. Anxiety, MCA Chicago, MCA San Diego, CA, USA.
Do it, Kunstverein Kreis Gütersloh e.V., Gütersloh, Germany.
Skulptur. projekte, Münster 97, Münster, Germany.
A summer group show, Neugerriemschneider, Berlin, Germany.
Wandstücke IV, Galerie Bob Van Orsouw, Zürich, Switzerland. Campo 6, The Spiral Village, Bonnefantenmuseum, Maastricht, Netherlands.
Thinking Print, Museum of Modern Art, New York, USA. Supastore De luxe, Up & Co, New York, USA.

1996
Fiat, Stuttgart/Umbauram, Germany.
a/drift, Curator Joshua Decter, Center of Curatorial Studies, Bard College, Annandale-on-Hudson, New York, USA.
Thinking Print, MoMA, New York, USA. Kofferkunst, Lagerraum, Frankfurt am Main, Germany.
Campo 6, II Villagion a Spirale, Fondazione Sandretto Re Rebaudengo per l’Arte, Galleria Civica d’Arte Moderna di Torino, Turin, Italy.
Almost invisible / fast nichs, Umspannwerk Singen, curated by Jan Winkelmann, Singen/Hohentwiel, Germany. Alle neue, ACC Galerie, Weimar, Germany.
Manifesta 1, Rotterdam, Netherlands.
Join Me!, Spiral Garden, Tokyo, Japan. Oporto Festival, Oporto, Portugal. Vicinato, Air de Paris, Paris, France. Vicinato, Schipper & Krome, Köln, Germany. Kunst in der neuen Messe Leipzig, Leipzig, Germany. TRAFFIC, CAPC, Musée d’Art Contemporain, Bordeaux, France. Jan Winkelmann, AlleN eue, ACC Galerie, Weimar, Germany.
In/Out, (a collaborative project with U of I and the Resource Center), Gallery 400, U of I, Circle Campus, Chicago, USA.

1995
Gary Hume, Udomsal Krisanamis, Rirkrit Tiravanija, Gavin Brown’s enterprise, New York, USA.
Biennale d’Art Contemporain de Lyon, Lyon, France. The Carnegie International, The Carnegie Museum of Art, Pittsburgh, PA, USA.
Carsten Höller, Philippe Parreno, Rirkrit Tiravanija, Studio Guenzani, Milano, Italy.
Kwangju Biennale, Kwangju, Korea. Rewind, curated by Eric Troncy, City Racing, London, U.K.
Balloon Frame, Kunsthalle Basel, Switzerland. Das Ende der Avantgarde - Kunst als Dienstleistung, Sammlung Schürmann, Kunsthalle der Hypo - Kulturstiftung, Munich, Germany.
Configura II: Dialog der Kulturen, Erfurt, Germany.
The Moral Maze, Le Consortium, Centre d’Art Contemporain, Dijon, France.
Nutopi, Rooseum, Malmö, Sweden.
Shift, De Appel, Amsterdam, Netherlands.
House in Time, Moderna Galerija Ljublijana, Slovenia.
The Whitney Biennial, Whitney Museum, New York, USA.
Economies, (with Hans Accola), Walker Art Center, Minneapolis, MN, USA. Africus, Johannesburg Biennale, Johannesburg, South Africa.

1994
Cocido y Crudo, (curated by Dan Cameron), Reina Sofia, Madrid, Spain.
Der Stand der Dinge, Kölnischer Kunstverein, Köln, Germany.
Lost Paradise, curator Barbara Steiner, Kunstraum, Vienne, Austria.
Esprit d ‘Amusement, Kunstverein Graz, Austria.
New reality mix, Högbergsgatan 18, Stockholm, Sweden.
Multiple, Deichtorhallen Hamburg, Germany.
Out Side the Frame, Contemporary Art Center, Cleveland, Ohio, USA.
SPNY, Galerie Camargo Vilaca, Sao Paulo, Brazil.
Drawing on Sculpture, Cohen Gallery, New York, USA.
Residence Secondaire, Paris, France.
Untitled Group Show, curated by Friedrich Petzel, Metro Pictures, New York, USA. Surface de Réparation, curated by Eric Troncy, Le Consortium, Centre d’Art Contemporain, Dijon, France.
Camping, Galerie Jennifer Flay, Paris, France.
Don’t Look Now, curated by Joshua Decter, Threadwaxing Space, New York, USA. L’Hiver de l’Amour, Musée d’Art de la Ville de Paris, France; PS 1 Museum, Long Island City, New York, USA. Art after collecting, curated by Rainer Ganahl, Philomene Magers, Köln, Germany. Untitled 1994 (Fear Eats the Soul), Galerie Esther Schipper, Koln, Germany. Long Island City, New York, USA.
Viennese Stories, curated by Jérome Sans, Wiener Secession, Vienna, Austria.
Real, Real, Wiener Sezession, Vienna, Austria.
Holly Solomon Gallery, New York, USA.
Backstage, Hamburger Kunstverein, Hamburg, Germany; Kunstmuseum, Luzern, Switzerland. (1994) Migrateurs, curated by Hans-Ulrich Obrist, Musée d’Art Moderne de la Ville de Paris, France. Real Time, curated by Gavin Brown, Institute of Contemporary Art, London, U.K.
Jorge Pardo, Sarah Seager, Rirkrit Tiravanija, Lincoln Tobier, 1301, Santa Monica, CA, USA. Künstlerhaus Bethanien, curated by Tim Neuger, Berlin, Germany.
Spielhölle, curated by Kaspar König and Robert Fleck, Grazer Kunstverein, Graz, Austria; Galerie Sylvana Lorenz, Paris, France.
Aperto, curated by M. Slotover, Venice Biennale, Venice, Italy.
Sleepless Nights, curator Zdenka Gabalova, PS1 Museum, Queens, New York, USA.
Galerie Max Hetzler, curated by Tim Neuger, Köln, Germany. Simply Made in America, Aldrich Museum of Contemporary Art, CT, USA. Fever, Exit Art, New York, USA. Kunstmuseum, Luzern, Switzerland.

1993
Viennese Stories, curated by Jerome Sans, Wiener Secession, Wien, Austria.
Real, Real, Wiener Secession, Wien, Austria.
Holly Solomon Gallery, New York, USA.
Backstage, Hamburger Kunstverein, Hamburg; and Kunstmuseum, Luzern, Switzerland.
Migrateurs, curated by Hans-Ulrich Obrist, Musée d’Art Moderne de la Ville de Paris, Paris, France.
Real Time, curated by Gavin Brown, Institute of Contemporary Art, London, U.K.
Jorge Pardo, Sarah Seager, Rirkrit Tiravanija, Lincoln Tobier, 1301, Santa Monica, USA.
Künstlerhaus Bethanien, organized by Tim Neuger, Berlin, Germany.
Spielhölle, organized by Kaspar König and Robert Fleck, Grazer Kunstverein, Graz, Austria; Galerie Sylvana Lorenz, Paris, France.
Aperto, curator: M. Slotover, Biennale Venedig, Venice, Italy.
Sleepless Nights, curated by Zdenka Gabalova, PS1 Museum, Queens, New York, USA.
Galerie Max Hetzler, organized by Tim Neuger, Köln, Germany.

1992
Transgressions in the White Cube: Territorial Mapping, curated by Joshua Decter, Usdan Gallery, Bennington College, Bennington, VT, USA.
Writings on the Wall, 303 Gallery, New York, USA.
Home Improvements, curated by Gavin Brown, 209 W 97th St., Apt. 7B, New York, USA.
Consumed, Goethe Haus, New York, USA.
Insignificant, curated by Gavin Brown, 10 E 39th St., Suite 525, New York, USA.
One Leading to Another, 303 Gallery, New York, USA.

1991
The Big Nothing or Le Presque Rien, The New Museum of Contemporary Art, New York, USA. Brooklyn, Jack Tilton Gallery, New York, USA.
Wealth of Nations, Center for Contemporary Arts, Ujazdowski Castle, Varswa, Poland. Dis Mantling Invisibility: Asian & Pacific Islander Artists Response to the AIDS Crisis, Art in General, New York, USA.
Shooters Hill, AC Project Room, New York, USA. Arriving, Leonor Datil Perez Gallery, New York, USA. Home?, Home for Contemporary Theater & Art, New York, USA. True to Life, curated by Gavin Brown, 303 Gallery, New York, USA.
Fluxattitude, Hallwalls, Buffalo, NEW YORK; The New Museum for Contemporary Art, New York, USA.
Marginal Majority, (Artists Against Racial Prejudice), Arron Davis Hall, New York, USA.
The New Museum for Contemporary Art, New York, USA.

1990
Post-Consumerism, The Storefront for Art & Architecture, New York, USA.
Work on Paper, Paula Allen Gallery, New York, USA. 4th Annual Invitational, Cold City Gallery, Toronto, Canada.

1989
Caught in a Revolving Door, The Alumni Association of the School of the Art Institute of Chicago, Chicago, IL, USA.
Outside the Clock: Beyond Good & Elvis, Scott Hanson Gallery, New York, USA.
Lotto as Metaphore, Hallwalls, Buffalo, New York, USA.