Contemporary art is often obsessed with the new, but it has recently begun to turn to projects centered around research and delving into archives, all in the name of seeking and questioning historical truth. From filmmakers to sculptors to conceptualists, artists from all backgrounds are digging into the rubble of the past. In this catalog that accompanies an exhibition at the Museum of Contemporary Art Chicago in the fall of 2013, Dieter Roelstraete brings together a diverse range of international artists to explore the theme of melding archival and experiential modes of storytelling—what he calls “the archaeological imaginary”—particularly in the wake of 9/11.

The Way of the Shovel offers a well-constructed balance among excursions into the situation of contemporary art, broad philosophical arguments around the subjects of history and the archive, and cultural analysis. Opening up the discussion of the archaeological imaginary in art to adjacent fields, the book includes several essays that create an overarching narrative for the exhibition and introduces readers to the workings of history in art. Roelstraete’s opening essay maps the critical terrain, while Ian Alden Russell explores the roots of archaeology and its manifestations in twentieth-century art, Bill Brown examines artistic practices that involve historical artifacts and archival material, Sophie Berrebi offers a critique of the “document” as seen in art after the 1960s, and Diedrich Diederichsen writes on the monumentalization of history in European art. The book features works by, both established and young artists, and thoughtful entries by Roelstraete that accompany the exhibition catalog, along with statements from artists Moyra Davey, Rebecca Keller, Joachim Koester, Hito Steyerl, and Zin Taylor.

This is the first exhibition to showcase this innovative approach to some of the most intriguing art of the past decade, The Way of the Shovel is indispensable for anyone seeking to understand the forces driving contemporary art.

328 pages
80 color plates, 40 halftones
6 1/2 x 9
Edited by Dieter Roelstrae