Clement Rodzielski queries the original meaning of images through their channels of distribution and reproduction. According to principles of duplication and re-presentation of the images used, the artist poses a reflection of the tumult of images from visual communication.

Clement Rodzielski's work has been shown in exhibitions held in international institutions, among them: Musée d’Art Moderne de Paris, Paris (2021; 2017; 2010); Kunstverein Langenhagen, Langenhagen (2019); Goton, Paris (2017); Villa Arson, Nice (2015); Synagogue de Delme, Delme (2015; CNEAI, Chatou (2014); Indipendenza, Roma (2014); Palais de Tokyo, Paris (2012; 2008; 2009); FRAC Champagne-Ardenne, Reims (2012); Fondation Pernod Ricard, Paris (2011; 2009); Musée National d'Art Moderne, Paris (2021); Centre Georges Pompidou, Paris (2020; 2009); Bétonsalon Centre d'art et de recherche, Paris (2005).

Clément Rodzielski's works have joined the collections of the following institutions: Musée National d'Art Moderne, Centre Georges Pompidou, Paris; Musée d'art Moderne de Paris, Paris; Centre national des Arts Plastiques, Paris; Kadist Foundation, Paris; FRAC Champagne-Ardenne, Reims; FRAC Île de France, Paris; FRAC Grand Large - Hauts de France, Dunkerque.