For the issue zero of l'intraitable review, Jean-Luc Moulène endorses the role of artistic director on the occasion of his exhibition papiers imprimés (1982-2006) on view at la compagnie, an art space located in Marseille. Jean-Luc Moulène interrogates the way images are printed on various medium, ranging from the poster advertising formt to the place mat and french newspaper's special editions, such as Le Monde or Ouest-France. ]Dépôt légal[ is a collective layout made of all sort of writings - philosophical and pamphleteer (Alexandre and Daniel Costanzo), poetics (Manuel Joseph), graphics (Marc Touitou) and photographics (Jean-Luc Moulène) - which interrogates the strengh of the anonymous in its relation to the law. The point of departure is a series of photographs shot for ten years in a tunnel where a correspondence written on the wall becomes a settling of accounts with an infamous tone.
Published by Editions la compagnie
French
Leaflet, 27 x 20 cm, 22 pp. (b/w ill.)