Nick Mauss develops a multidisciplinary practice at the interstices in between established histories of the arts. In his works, he uses drawing to navigate between medium and spaces, overcoming categorizations, where the line expands different formats such as reverse glass painting, ceramic, textile, paper, sculpture, performance, and writing.
His work probes into contemporary art productions, through exhibitions that he conceives, using the medium as integral part of his practice. Nick Mauss sheds light on forgotten historical archives connecting different histories and artistic genres. Thus, he offers a new genealogy to the works and reassesses the artist’s positioning and modes of representation.

He has exhibited his work in various internationally renowned institutions such as the Nouveau Musée National de Monaco, Monaco (2022; 2016; 2014); Musée d'Art Moderne de Paris, Paris (2021; 2017); Kunsthalle Basel, Basel (2020); Whitney Museum of American Art, New York (2020; 2018; 2013; 2012); Fondation Louis Vuitton, Paris (2019); Museum Ludwig, Köln (2019); Serralves Museum, Porto (2017); Walker Art Center, Minneapolis (2016; 2012; 2011); Kunsthaus Bregenz, Bregenz (2013); Bergen Kunsthall, Bergen (2013); FRAC Champagne-Ardenne, Reims (2011); Martin Gropius Bau, Berlin (2011), Museum of Modern Art, New York (2010); Kunsthalle Zürich, Zürich (2010).

Nick Mauss' works have joined the collections of the The Museum of Modern Art, New York; The Whitney Museum of American Art, New York; Serralves Museum, Porto ; Lenbachhaus, Munich; Fondation Louis Vuitton, Paris; KADIST Art Foundation Paris; Long Museum, Shanghai; Mead Art Museum at Amherst College, Amherst; Museum of Contemporary Art, Los Angeles; Nouveau Musée National de Monaco, Monaco; Princeton University Art Museum, Princeton; The Walker Art Center, Minneapolis; FRAC Champagne-Ardenne, Reims; M+ Museum, Hong Kong; Hood Museum of Art, Dartmouth.