Field of Teleportation invites the viewer into a two-dimensional surface in which perspectives and dimensions unfold arbitrarily. These resulting “flat layers”—partially created by the photographic compression of three- dimensional objects into flat space—are informed by Yang’s study of mystic G. I. Gurdjieff’s sacred dances and Taoist movements, both deeply connected with nature. Yang further connects the wallpaper to the concept of a cultural diaspora, a long-standing interest reflected in her research and work on the biographies of prominent diasporic figures. — Extract from Haegue Yang: In the Cone of Uncertainty (2019).

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