桑塔画廊正在举办艺术家米莫萨·埃查尔德（Mimosa Echard）在桑塔画廊的首次个展，展览展出了她最新创作的一系列作品。
米莫萨·埃查尔德的创作受到了混合生态系统的启发，在这个生态系统中，生物和非生物、人类和非人类共存。她的作品探索了有机物和消费品之间的接触和污染领域——这些元素可以通过我们的文化习俗被视为模糊不清的，甚至是矛盾的。留心物体的生命性特征，米莫萨·埃查尔德对我们头脑中仍然无法捉摸的元素和物体的运动保留了持续的好奇。她的智慧和可塑性的艺术道路通过一种感官关系，注入到她在工作室的日常创作材料中，融入到作品中去。
“米莫萨·埃查尔德的作品让我们进入了一个万物相互渗透、相互变换的世界，一个欲望彰显和欢乐的狂欢世界，用一种模糊的声音组成了一个反叛的语言系统。”—— Romain Noël
I woke up with pop music in my head again.
A certain very influential LA-based stylist is actually just weaponised serotonin or whatever.
The other day, as she appeared through the window, I wondered whether she knew to what extent the soft folds of her back revealed the shape of her spine, disfigured from so many years sloped in the same position.
From this angle, I couldn’t help but wonder whether her lower vertebrae had become damp or spongy, or whether the blood had dammed in her lower back. I wasn’t sure whether this was a form of new life that I couldn’t comprehend, or just another weapon upgrade.
Since then, I’ve let her numb my brain every morning. When I talk to people about it they just say that you need to be careful with how you share and show your holes, and that you should learn to draw the line between hard and soft. But all I want is the complete exteriorisation of the world. I want everything to have a face, and only a face.
I don’t really have an image of the blood in mind. I don’t think it’s photographic. It’s already there.
I mean I’m not even sure we’re talking about images anymore, or just different kinds of chemicals leaking from different kinds of trays.
Aodhan Madden
A song has also been created by Aodhan Madden on theoccasion of this exhibition.
Available for a listen here.
