For his exhibition at the Palacio de Cristal organized by Museo Nacional Centro de Arte Reina Sofia, Hassan Khan takes the tumultuous populism of the present and its intriguing method of tapping into the grotesque as a starting point. The Keys to the Kingdom is an exhibition of song, flags, glass sculptures, computer generated murals and other forms that lies on the spectrum between the romantic and the vulgar, the sublime and grotesque. The exhibition enters the imaginary landscape of a political economy underpinned by slavery, exploitation and dehumanization. 

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