Abraham Cruzvillegas, Autoportrait détumescent et post-keynesien, nostalgique du sexe matinal en prenant un café serré avec du sucre (et un petit chocolat), 2011. Vue d'exposition, Le Grand Café, Saint-Nazaire, 2011. Crédit: photo Marc Domage
If the name of poor art (Arte Povera) designates an Italian artistic movement of the 60s, it can also be considered as an attitude whose present exhibition seeks relevance in an era of overproduction of objects and images, where the value Merchant of the art is often underlined.
