Wade Guyton, Untitled, 2026; Nick Mauss, Stanza in reverse, 2026; Liza Lacroix, I really am very tired, 2026; Gabriel Orozco, 20 de Enero 2017, Nueva York (Wounded Cricket), 2025; Pierre Huyghe, Dance for Radium, 2014. Dress for the reinterpretation of Loïe Fuller’s Radium Dance (1904), The Artist’s Institute, New York, February 20, 2014. Documentation photograph by Mae Fatto; Mimosa Echard, Faces 8, 2025. Photos: Jiayun Deng—Galerie Chantal Crousel; GLR Estudio; New Document. © Pierre Huyghe; Mimosa Echard/ADAGP, Paris (2026).
Booth K19
Meet Galerie Chantal Crousel in Art Basel with a selection of works by
Roberto Cuoghi | Nick Mauss |
Basel Exclusive
The gallery is participating in Basel Exclusive and will unveil a previously unseen work by Jutta Koether.
Jean-Luc Moulène, Pyramid'os, Le Buisson, 2020. Photo: Jiayun Deng—Galerie Chantal Crousel. © Jean-Luc Moulène/ADAGP, Paris (2026).
Kabinett sector
Jean-Luc Moulène has long explored the body both as an anatomical structure and as a site shaped by social, political, and economic forces. Across his sculptures and drawings, he examines how bodies are formed, constrained, or transformed by the systems around them. Each work introduces a subtle shift in perception: a political figure rendered almost grotesque through a cement mask (Marta); bones arranged into hollow geometric forms (Pyramid’os); a skull paired with a stone of nearly identical weight (Deux Amis); the empty interior of a toy cast in concrete (Contre-Crâne). Contre-nuit completes the picture—blue glass eyes pierced by sharp shards of glass suggest fragmentation and a constellation of suspended gazes.
Awards
Fabrice Gygi
Prix Meret Oppenheim 2026
Halle 1.1 Messe Basel, Switzerland
June 15, 2026 — 4:30pm
Rirkrit Tiravanija
Art Basel Awards 2026
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